Furyo – Merry Christmas, Mr. Lawrence (1983)

Furyo – Merry Christmas, Mr. Lawrence: Directed by Nagisa Ôshima. With David Bowie, Tom Conti, Ryuichi Sakamoto, Takeshi Kitano. During W.W. II, a British colonel tries to bridge the cultural divides between a British P.O.W. and the Japanese camp commander in order to avoid blood-shed.

“Do not mistake this masterpiece for a Capra Christmas movie. It is a war film without action (but with atrocities) that opens your eyes and is incredibly versatile and therefore applicable to any war that knows a winner and a loser.u003cbr/u003eu003cbr/u003eThe story is completely about perspectives and motives: power-madness and despair. Some might find MCML hard to stomach while watching, some afterwards. But I say you have to watch it through to appreciate the concepts fully. Moreover, I say you shouldnu0026#39;t vote it before youu0026#39;ve seen all of it; that way the rating wouldnu0026#39;t be as low as 6.9. MCML is one of those films that surpass movies like u0026#39;Platoonu0026#39; (Stone, 1986) on any level. Added to all that, itu0026#39;s also beautifully shot by cinematographer Toichiro Naroshima (Double Suicide).u003cbr/u003eu003cbr/u003eOne of the best scores in history of cinema by Ryuichi Sakamoto (also u0026#39;Wild Palmsu0026#39; and u0026#39;Sheltering Skyu0026#39;), who not only provides it with his strokes of musical genius, but also plays an important role: the androgynous and curious captain in contrast to the virility of Takeshi Kitano (dir and acted Violent Cop, Brother, Hana Bi) the self-confident and straight-forward sergeant. If youu0026#39;ve seen any of Kitanou0026#39;s movies, his character in MCML will gain from that. I guess director Nagisa Oshima (Naked Youth, Gohatto) likes to play with feminine and masculine characters. David Bowie fits in brilliantly from that perspective. His character is the most complex and worked out the deepest. My opinion is that this is his best and most intriguing role so far (u0026#39;the Man who fell to earthu0026#39; came close). Conti (u0026#39;If weu0026#39;ll do it, heu0026#39;ll do itu0026#39;) plays a key figure between the Japanese and the POW.u003cbr/u003eu003cbr/u003eOn which side to lose a war? When to intimidate and when to be intimidated?u003cbr/u003eu003cbr/u003eWhich side are you on anyway? u0026#39;There are times victory is very hard to takeu0026#39; – Colonel John Lawrence. Not without reason sergeant Gengo Hara says u0026#39;Merry Christmas Mr. Lawrenceu0026#39; not: u0026#39;Merry Christmas Colonel Lawrenceu0026#39;. Are you intimidated by an initiation? Or still not when youu0026#39;re POW and the only free part of your body is your head? These are questions the film raises. Unfortunately I canu0026#39;t compare the film to the book, because I havenu0026#39;t read it. MCML is immensely powerful, and really underrated. 10/10”