Irrwege der Herzen (1943)
26KIrrwege der Herzen: Directed by Claude Autant-Lara. With Odette Joyeux, Madeleine Robinson, Marguerite Moreno, Jean Debucourt. In Paris in 1887, Irène works as a governess to Douce, the grand-daughter of the dowager Countess de Bonafé. Douce believes she is in love with Fabien, the handsome manager of the estate. However she cannot hope to marry him because of their class difference. Douce’s widowed father, the Count de Bonafé, has a wooden leg, and is infatuated with Irène. Douce discovers that Fabien is planning to flee to Quebec with Irène, and also finds out that the Count has asked Irène to marry him. So Douce tells Fabien this and convinces him to run away with her, causing consternation in the family.
“In 1887, the stranglehold the aristocracy held over the other classes is weakening. The Countess de Bonafé can no longer whip her servants, she can only brandish her cane at them. But the working class has not yet gained its full power; Fabien and Irène have to tread very carefully lest their affair should be discovered.nThere are two love triangles here: Engelbert-Irène-Fabien, which is very unstable, owing to Fabien being a coward and thief, and Irène not being able to solidify her hold on Engelbert, and the far more stable one of the Countess-Douce-Engelbert, three people of the same family and class who can unite when it becomes necessary to do so. Autant-Lara shows a solid hand as director; the low camera angles may distract some viewers, but the decors are excellent.”