Love to Kill (1982)

Love to Kill: Directed by David Winters. With J’Len Winters, John Kelly, Joe Spinell, Simone Overman. A New York taxi driver stalks a beautiful actress attending the Cannes Film Festival, which coincides with a series of violent killings of the lady’s friends.

“A taxi driver is dangerously obsessed by a horror movie actress. He travels to Cannes to convince her to star in the movie he fantasises he is going to direct. A series of killings start.u003cbr/u003eu003cbr/u003eOn the face of it this is one of the many films from the early 80u0026#39;s slasher cycle. However, itu0026#39;s hardly typical of that genre. Sure, it has the usual slasher ingredients – lots of gory violence and lots of semi-nude girls – but overall the tone is quite different. There is a definite comic feel to this one. Much of that is down to lead actor Joe Spinell who plays the deranged taxi driver. Spinell is a good enough actor to make, what could easily be a very unlikable character, sympathetic. His interplay with his mother is also kind of funny and I suppose is a jokey take on the stereotypical mother-fixated psychopaths from these types of movies. Joeu0026#39;s delusional world view is illustrated with segments that blur fantasy and reality. We see him as a ludicrous tuxedoed famous director interspersed with the scenes of his grim reality. All of this stuff gives The Last Horror movie a definite difference from other movies with similar scenarios.u003cbr/u003eu003cbr/u003eThe film also stars Caroline Munro as the famous scream queen. And she looks pretty striking with her black and white mane of hair. Interestingly she is making a movie called u0026#39;Screamu0026#39; and this was way before Wes Craven came up with his post-modern slasher. In fact, you could argue that this very film was playing around with a few of the ideas that Craven would use over a decade later to great commercial success. After all, this is a film that playfully points out the conventions of the slasher film while still essentially delivering various methods of bloody murder. What was also pleasing was the way that The Last Horror film winds things up with a pretty decent ending that wasnu0026#39;t obvious. So, all in all, this has to be considered one of the more innovative slasher flicks of the 80u0026#39;s.”