The Hitch-Hiker (1953)

The Hitch-Hiker: Directed by Ida Lupino. With Edmond O’Brien, Frank Lovejoy, William Talman, José Torvay. Two fishermen pick up a psychopathic escaped convict who tells them that he intends to murder them when the ride is over.

“Roy and Gilbert are heading to Mexico on a fishing trip together when they stop to pick up a hitchhiker. Too late they realise that the man has not really run out of petrol but is actually criminal Emmett Myers, who has killed his way across several states and is now using them to continue his getaway from the authorities. With Emmett holding the two friends at gun point, he forces them to drive deeper into Mexico – all the time making it very clear that they are only alive while he needs them alive and not any longer.u003cbr/u003eu003cbr/u003eThe opening caption informs us that this is based on a true story and also tries to engage the audience by pointing out how the couple in the car could have been you (or the people across the aisle). Really though it neednu0026#39;t have bothered with either because the caption doesnu0026#39;t add a great deal. It may be based on a true story but it didnu0026#39;t seem like it was interested in this beyond using the facts as a frame for the story and personally I didnu0026#39;t think it needed to try and put me into the car because Ida Lupino did that well enough by herself. The story is simple and it is to the directoru0026#39;s credit that she holds it together so well. Yes it is short by modern standards but she should not lessen how well she has brought out a constant sense of tension whether it be in the tight confines of the car or in the desperate bleak openness of the desert.u003cbr/u003eu003cbr/u003eShe is helped by a strong trio of performances from actors who appear to be punching above their weights. Although they havenu0026#39;t a huge amount of depth in their characters they do convince in the realms of tension and fear. The friendship between Ou0026#39;Brien and Lovejoy is solid and helps to support the slightly weak element of the script which is that they never seem to even considering leaving the other for even a second. Talman is memorable in the title role, easily building a screen of menace before allowing the cracks to show.u003cbr/u003eu003cbr/u003eA pretty good film then. It trades on atmosphere and tension, both of which Ida Lupino works with really well. The actors maybe donu0026#39;t have depth to trade on but they respond well to the tone of delivery and give suitably good performances.”