Máncora (2008)

Máncora: Directed by Ricardo de Montreuil. With Jason Day, Elsa Pataky, Enrique Murciano, Phellipe Haagensen. An adventure drama that tells the story of Santiago, a 22-year old from Lima. Following his father’s suicide, haunted by his inner daemons and hatred for the world in general, Santiago decides to escape the crude Lima winter to take refuge in Mancora, a beach to the north of Peru where it is always summer. Upon his departure, Santiago receives the unexpected visit from his stepsister, Ximena, a young and beautiful photographer in her late twenties, accompanied by her husband Inigo, a young surgeon from Spain. The three take off on a journey escaping reality and in search of themselves. Santiago and Ximena find refuge in each other, which sparks off jealousies within Inigo, and a trip that was intended to be a simple escape turns out to be much more, when each of the three crosses limits and borders they should never have crossed. The three are placed face to face with their dreams and daemons. “Mancora” is a story of redemption, where a kid becomes a man and learns to forgive the world.

“Khandaani Shafakhana (Family-Owned Sex Clinic) aspires to convey a good message (that of sex education to the masses (interior India)) but fails to do so because of its uninspiring screenplay, crass jokes (mainly by Varun Sharma), and a snail-paced narrative that takes the formulaic approach of a good-intentioned woman (Sonakshi Sinha) being assumed evil by the society for being u0026#39;obsceneu0026#39;. For anyone who has been closely following Bollywood, this social dramedy will be reminiscent of other films in recent times chafing the same topic and it is just amazing how much you can predict whatu0026#39;s going to happen with the same prejudiced family members, the good Samaritan protagonist, his well-wishing stranger-turned-friend, and the evil corporations. Even Sinha acts like the way she has been acting since after her Dabangg (2010) days. Thereu0026#39;s no novelty in Khaandaani Shafakhana save for its catchy name, and with that preachy undertone and mocking courtroom sequence at the end, it just adds to it being just below average. The content is good but just falls short of being handled with finesse and imagination. Badshah should probably stick to rapping. TN.”