Der schmale Grat (1998)

Der schmale Grat: Directed by Terrence Malick. With Kirk Acevedo, Penelope Allen, Benjamin Green, Simon Billig. Adaptation of James Jones’ autobiographical 1962 novel, focusing on the conflict at Guadalcanal during the second World War.

“what many people do not know is that this film, directed by terence malick, is without question the reason that Shakespeare in Love won the best picture oscar over the much favored Saving Private Ryan. why am i saying this? first letu0026#39;s deal with the movie. long? yes. too much? sometimes. but is it good? i can not begin to describe the beauty of this film.u003cbr/u003eu003cbr/u003eabout the oscars, i only watched the film after its surprise nomination for best picture. i had seen the competition already, and it was time to check out the fifth nominee. i went to the theatre myself, and came out three hours later, went home, and i cried. not only because i was disturbed, but i loved every single character in the film. i wanted to be there for them, cry with them, fight their battle. many people who have watched the film have said the same thing to me.u003cbr/u003eu003cbr/u003ethe Thin Red Line is sometimes painful to watch, but only because of its realistic juxtaposition of humanity, philosophy, and the terror of war. the film does not delve into any historical fact about Guadalcanal, except that the battle itself was terrifying (as is any battle). the characters introduce themselves through voice-over narration, which accompanies much of the action. and speaking of action, there is not much in the film. more images. images of war and the lives these soldiers left behind. this was Terence Malicku0026#39;s intent, of course, and many people were insulted and thought it was his own pretentious self getting the best of him. u0026quot;boy heu0026#39;s a genius.. must he show it??u0026quot; sometimes it is a little pretentious, but the film wouldu0026#39;ve been u0026quot;just another WWII filmu0026quot; if it was out of Malicku0026#39;s hands.u003cbr/u003eu003cbr/u003ei can not understand why Sean Penn is billed as the top actor or the main character of this film. he was there a lot, but the film is carried by Jim Caviezel as the beautiful and ethereal private Witt. words can not describe this performance. with as few lines as he had, Caviezel portrays the symbolic soul of Witt, and by the end of the film he will break your heart. also excellent performances from Nick Nolte and the understated Elias Koteas, who can stretch creepy (Crash) to sympathetic in the blink of an eye.u003cbr/u003eu003cbr/u003enow.. letu0026#39;s consider hollywood. sure they love Spielberg, and sure Private Ryan was a masterpiece (and it really was), but nobody even expected the Thin Red Line to get seven oscar nods, especially for best picture. but Shakespeare in Love was the crowd pleaser, and the other two were epic war films. most hollywood u0026quot;artsyu0026quot; people are anti-war.. kind of like the Thin Red Line. Private Ryan seemed to be MUCH more patriotic u0026quot;pro-americau0026quot; than the other. so if weu0026#39;ve got anti-war on one side, and patriotism on the other… open and shut. the votes were split between the two, and Shakespeare emerged victorious. too bad.u003cbr/u003eu003cbr/u003eanyway… the Thin Red Line was definitely better than Shakespeare, and definitely a completely different film from Spielbergu0026#39;s. John Tollu0026#39;s cinematography and Hans Zimmeru0026#39;s score work together to convey the tone of Malicku0026#39;s lyrical and poetic direction, and both should have won oscars. this film is nothing short of breath-taking, though understandably not for the average american moviegoer.”