Erbarmungslos (1992)

Erbarmungslos: Directed by Clint Eastwood. With Clint Eastwood, Gene Hackman, Morgan Freeman, Richard Harris. Retired Old West gunslinger William Munny reluctantly takes on one last job, with the help of his old partner Ned Logan and a young man, The “Schofield Kid.”

“Ford, Hawks, Leone, Peckinpah, all of them big names who have defined the Western genre in one way or another across the history of cinema, transforming what started as low-budget action films into an art itself where the American Old West served as setting for tales of mythical heroism, classic tragedies, and legendary adventures. Actor and Director Clint Eastwood is probably one of the most knowledgeable artists about the Western genre, as his acting career began as the legendary u0026quot;Man With No Nameu0026quot; in the Sergio Leoneu0026#39;s Spaghetti Westerns of the 60s. As a director, he somewhat continued this legacy through movies like u0026quot;High Plains Drifteru0026quot; and u0026quot;Pale Rideru0026quot;, but finally in 1992, Eastwood released what many consider his final ode to the Western, and his ultimate masterpiece of the genre: u0026quot;Unforgivenu0026quot;, an epic saga about the deconstruction of the Western myths.u003cbr/u003eu003cbr/u003eClint Eastwood himself plays William Munny, a former gunslinger who is now living a peaceful life as a farmer with his two children. However, life is very difficult for Munnyu0026#39;s family, as since the death of his wife the family has been facing financial problems. One day a young man calling himself u0026quot;The Schofield Kidu0026quot; (Jaimz Woolvett) appears looking for Munny. The Kid tells Munny about a bounty offered in the town of Big Whisky, and offers him the chance to join him as hired gun and split the reward between them. While Munnyu0026#39;s days as a murderer are in the past, he decides to join him after thinking about the farmu0026#39;s problems, but not without calling his old friend Ned Logan (Morgan Freeman) to join them. However, Munnyu0026#39;s past as a notorious thief and murderer will return to haunt him in this last mission, as the Kid shows a true and honest admiration for Munnyu0026#39;s fame as a gunslinger, even when Munny himself considers his past as villainous.u003cbr/u003eu003cbr/u003eWhile better known for his work in science fiction, David Webb Peoplesu0026#39; screenplay proves to be a very accurate description of life in the American west, particularly concerning the aspects of the uses and abuses of violence in that era. It is in fact the use of violence what comes as the main theme of the story, as Munny is escaping from his pastu0026#39;s violence while the Kid is eagerly awaiting the next chance to prove his masculinity by the use of violence. The duality between man and myth is explored not only via the relationship between the Kid and Munny, but also in the shape of a character who writes novels about the wild west, and sees the figure of the gunslinger as an idolized modern hero. Peoplesu0026#39; screenplay is remarkably well written, as the many characters and their relationships are exhaustively explored, resulting in a character driven revisionism of the western, that in many ways criticizes the genreu0026#39;s origins as violent u0026quot;Shoot u0026#39;em upu0026quot; films.u003cbr/u003eu003cbr/u003ePeoplesu0026#39; script is definitely the movieu0026#39;s backbone, but it is Eastwoodu0026#39;s masterful direction what transforms this meditation of violence into a unique revision of the Western. With a gritty and realistic approach very in tone with the script, Eastwood portraits the Wild West without romanticism and leaving out the mythic aspects of the genre, taking the revisionism of the Western one step beyond. Using Peoplesu0026#39; script, Eastwood takes a critic view on the figure of the u0026quot;herou0026quot; in Westerns, focusing on the image of the gunslinger and the use of violence to solve problems. Visually, Eastwood has crafted his most impressive movie since u0026quot;Birdu0026quot;, with an extensive use of shadows and light in the excellent work of cinematography by Jack N. Green. Eastwoodu0026#39;s style, originated by the influence of Sergio Leone and Don Siegel, and developed through many stages seems to finally have spawned its masterpiece in this film.u003cbr/u003eu003cbr/u003eAs William Munny, Clint Eastwood is simply perfect in what at first sight looks like an extension of his earlier u0026quot;Man with no nameu0026quot; persona. William Munny has a name, and a past he wants to escape from, and Estwood captures the image of guilt and regret to the letter. This is easily one of his best roles to date. Morgan Freeman is also very good as Ned Logan, although like Jaimz Woolvett (who plays The Schofield Kid), gets easily overshadowed by Gene Hackmanu0026#39;s powerful performance as Little Bill Daggett. Hackman completely owns every scene he is in, showcasing his enormous talent in a very dramatic role. The legendary Richard Harris has a small appearance as another aging gunslinger, English Bob, in very memorable scenes where he demonstrates why he is considered one of the best actors of his generation.u003cbr/u003eu003cbr/u003eAfter starting his career playing a mythical hero in Leoneu0026#39;s u0026quot;Dollarsu0026quot; trilogy, it is actually fitting that is Eastwood who explores the figure of hero in his many movies. Ever since his first directed western, Eastwood showed an interest in the duality of the hero, taking a special interest in the archetype of hero portrayed in the classic 1953 Western, u0026quot;Shaneu0026quot;. Eastwood has explored this theme in many ways in the past: first as a true antihero (u0026quot;High Plains Drifteru0026quot;), then as a man becoming legend (u0026quot;The Outlaw Josey Walesu0026quot;) and later as a true mythic hero (u0026quot;Pale Rideru0026quot;); all this culminates in u0026quot;Unforgivenu0026quot; as the ultimate demythologization of the concept, and his final ode to the Western genre. While the movie indeed feels a bit u0026quot;preachyu0026quot; at times, the story is devised in such a way that it never feels too heavy handed, as it unfolds nicely as a classic epic tale of the West.u003cbr/u003eu003cbr/u003ePersonally, I canu0026#39;t praise this movie enough, as it is easily one of the best Westerns done since Peckinpahu0026#39;s u0026quot;The Wild Bunchu0026quot;, and required viewing not only for fans of the genre. While some consider it an u0026quot;anti-Westernu0026quot;, I think that with this movie, Eastwoodu0026#39;s name can proudly stand along those of Ford, Hawks, Leone and Peckinpah as a master of the Western. u0026quot;Unforgivenu0026quot; is definitely Clintu0026#39;s masterpiece. 10/10”