Aaranya Kaandam (2010)

Aaranya Kaandam (2010). 2h 6m | Not Rated

“I usually donu0026#39;t write reviews, because I feel, the reviews of a film I have watched which are already available are true and I couldnu0026#39;t write better.u003cbr/u003eu003cbr/u003eBut this time, Iu0026#39;ve decided to step it up and write a review because I feel, this movie deserves one and the reviews out there are good but very few indeed.u003cbr/u003eu003cbr/u003eSo, Aaranya Kaandam written and directed by first timer Thiagarajan Kumararaja and produced by S.P.Charanu0026#39;s Capital Film Works is an experimental gangster flick to say the least. But thatu0026#39;s just the style of the film but to state the goodness of the film, I think it should be among the top films of the year because it keeps you entertained till the very end. For those who have been following this film from the time it won the grand Jury award at the South Asian Film Festival, you would know the difficulties this film had undergone pre-release. Frankly speaking, I was not surprised to see the vacant seats in the theater because this film is clearly for mature audience and lover of pure- cinema and not for the masses.u003cbr/u003eu003cbr/u003eTo start with the plot, it is a simple story about a gangster head Singaperrumal, played with class by yest year heartthrob, Jackie Shroff on a conflict which arises with his senior henchman, Pasupathy,once again played superbly by Sampath Raj on a dealing of cocaine and several other parallel tracks and motives. As the trailer correctly stated, it is about the decisions each of the six protagonists make and how it affects the plot.u003cbr/u003eu003cbr/u003eThere is no single-hero in this film, but if I were to select a hero, I would definitely give it to the superb script by the director. The director has avoided all clichés and given us a somewhat unpredictable film. The dialogue especially is very simplistic, at the same time realistic and humorous at times. The climax is hard hitting and definitely not expected.u003cbr/u003eu003cbr/u003eI am not sure if You can call this film as a noir, but the lighting and camera suggests so. Commendable camera work by P.S.Vinod and editing by Praveen and Srikanth keeps the filmu0026#39;s raciness and edginess to it.u003cbr/u003eu003cbr/u003eOne of the biggest advantages of the film is the music by the always dependable Yuvan Shankar Raja which has a Kill-Bill feel to it. Avoiding Ear impairing background and giving us a more mature score, Yuvan has not disappointed us and coping up for the lack of songs(i dint want them though).u003cbr/u003eu003cbr/u003eThis film has Tarantino written all over it. With the quirkiness, Dark tone and the parallel story lines, this film takes its time to unfold which is sort of an advantage and disadvantage at the same time. I had a lot of expectations for this film and I wasnu0026#39;t disappointed. Though it gets predictable at times, for the most part its ahead of you.u003cbr/u003eu003cbr/u003eIn the acting department, everyone has an important role to play and everyone has done a neat job with special mention to the son played by the Master Vasanth who has done his role without any hesitation.u003cbr/u003eu003cbr/u003eIn the words of my idol, Iu0026#39;m going with 3 and a half out of five for Aaranya Kaandam. It is only for the mature audiences and it puts Tamil Cinema back on track at the global stage.”