The Lady in the Car with Glasses and a Gun (1970)

The Lady in the Car with Glasses and a Gun (1970). 1h 45m | R

“Thrilling and suspenseful film about a woman must find out about a crime she is implicated , to prove her innocence and exposing the question about whether the starring is hysterically crazy or is being manipulated by others. An English secretary named Dany (Samantha Eggar) with an international advertising in Paris is asked by her Chief Michael Caldwell (Oliver Reed) to work overnight at his house . Next day , she agrees to see him off the airport with his wife (Stephane Audran) , then drive his car back to the house . But heading in the wrong direction she impulsively drives on towards the Riviera . Then a series of chance encounters with perfect strangers, who claim that they recognise her , begin to blemish her ideal weekend. Now, more than anything in the world, Dany wants to see the sea ; and she goes joyriding along the way but, a strange noise coming from the boot is a harbinger of bad luck. She visits a seaside town she swears sheu0026#39;s never been to, but everyone knows her name. Is the lady in the car starting to lose her mind? .Soon, things go wrong and get serious. Her first mistake was getting into the car.u003cbr/u003eu003cbr/u003eIntriguing if overelaborate thriller shot on the sun-kissed French outdoors , this is a fairly effective thriller that really keeps the audience guessing and in which our protagonist becomes involved in twisted incidents and nighymarish happenings . That include encounters with various strangers who apparently recognise her , assault in the restroom at a service station and interlude with an enigmatic hitchhiker and the discovery of a body in the trunk of the car . Then when a body turns up in the boot of the car, she is the lead suspect in a murder she knows nothing about . Is she going crazy?. It has a strong visual style, also very reminiscent of the Sixties . Echoes of Psyco proliferate including a visit to an old dark house , but the tortuous mystifications and ponderings wear out their welcomenlong before the final surprising explanations . Samantha Eggar gives a nice acting as a meekc, myopic, and sentimental secretary with an international advertising agency in Paris . And Oliver Reed is very adequate and so sinisterly smooth that you know heu0026#39;s up to no good . While Stephane Audran is fine as as the glacially neurotic wife and she makes one wonder wistfully as she equally played in her films with Claude Chabrol. Theyu0026#39;re well accompanied by a good support cast such as : John McEnery , Martine Kelly , Bernard Fresson and Marcel Bozzuffi . It had a France Belgium remake (2015) with same title directed by Joann Sfarr with Freya Mavor , Benjamin Biolay , Elio Germano , Stacy Martin.u003cbr/u003eu003cbr/u003eThe picture was professionally directed by Anatole Litvak , though some confusing , at times . Litvak was born in Ukraine and stayed in Germany working . Anatole moved to France and directed Mayerling with Charles Boyer , Danielle Darrieux . His first Hollywood movie was The Woman I Love 1937 , and made a wide variety of subjects , from sophisticated comedy as Tovarich 1937 to historical drama as Anastasia 1956 , romance as All this and Heaven Too 1940 , crime drama as Dr Clitterhouse with Edward G Robinson and Humphrey Bogart and two tough thrillers starring John Garfield : Castle on the Hudson 1940 and Out of the Fog 1941 . Having become an American citizen , Litvak enlisted in the US army and collaborated with William Wyler in u0026quot;Why we fightu0026quot; series of WWII documentaries. Arguably his best films were the Thriller u0026quot; Sorry wrong the Numberu0026quot; and the splendid psychological drama u0026quot;The Snake Pitu0026quot; 1948 , Hollywoodu0026#39;s first attempt to seriously examine the treatment of mental illness . Rating : 6.5/10 . Well worth watching . Essential and indispensable seeing for thriller/mystery enthusiasts.”