Rotation (1949)

Rotation: Directed by Wolfgang Staudte. With Paul Esser, Irene Korb, Karl Heinz Deickert, Reinhold Bernt. The mechanic Behnke wants to join the Nazi party to secure a good living. However, after his Jewish neighbors have been taken away, he changes his views. Trying to remain “a non-political man,” he withdraws from reality and becomes a Nazis laborer.

“Following Germanyu0026#39;s surrender Wolfgang Staudte found himself in the Eastern sector and despite having participated in films of the Third Reich his services were utilised by DEFA the state-run film studio. As a means of u0026#39;working throughu0026#39; his guilt and presumably to please his new employers he directed u0026#39;The Murderers are among usu0026#39; and u0026#39;Rotationu0026#39; both of which depict the true horrors of Nazism. The latter film focuses on labourer Hans Bencke, his wife Charlotte and their son Helmuth. As one of the mass of unemployed he understandably regards National Socialism as a blessing and joins the Party in order to support his family while believing that he can remain u0026#39;non-politicalu0026#39;. As years pass he realises that the blessing has become a curse and that he can no longer be impartial. Life becomes still more complicated when his teenage son joins the Hitler Youth……. This is a masterpiece of film-making that grips one from the outset. Ironically it is shot by Bruno Mondi, indisputably one of the greatest cinematographers of all, whose collaborations with the demonised director Veit Harlan did not prevent his becoming DEFAu0026#39;s chief cameraman. The characters are well-drawn and the extensive use of close-ups, notably those of Paul Esser as Bencke, serve to heighten our involvement. The editing by Lilian Seng is exceptional, especially the scene of the underground shelter being flooded whilst the closing scene is no less dramatic for being understated. The final words should be left to a critic of the time who wrote:u0026#39;This film shows how it really wasu0026#39;.”