Nummer 23 (2007)

Nummer 23: Directed by Joel Schumacher. With Jim Carrey, Virginia Madsen, Logan Lerman, Danny Huston. Walter Sparrow becomes obsessed with a novel that he believes was written about him, as more and more similarities between himself and his literary alter ego seem to arise.

“The Number 23 is directed by Joel Schumacher and written by Fernley Phillips. It stars Jim Carrey, Virginia Madsen, Logan Lerman, Danny Huston, Lynn Collins and Rhona Mitra. Music is by Harry Gregson-Williams and cinematography by Matthew Libatique.u003cbr/u003eu003cbr/u003eWalter Sparrow (Carrey) becomes obsessed with a novel that he comes to believe is written about him. As his obsession increases and the number 23 comes into play, the similarities arise and danger lurks at every corner. u003cbr/u003eu003cbr/u003eTopsy Kretts at A Novel Fate.u003cbr/u003eu003cbr/u003eA tough film to recommend with confidence, as the most divisive critical notices would suggest, The Number 23 is for some a genuinely intriguing movie with style to burn. The complex narrative structure, visual styles, gumshoe type narration and nods to classic era noir movies, certainly makes this more of interest to noir fans than your average horror/thriller seeker. The premise of the 23 enigma is quite a hook, especially for the conspiracy theorists out there, while the blending of paranoia and distortion of reality really puts a bleakness over the plotting to keep it edgy. Unfortunately much of it doesnu0026#39;t hold up under scrutiny, big leaps of faith are needed and the finale fizzles out in a whimper. But mostly itu0026#39;s thought provoking for the right reasons.u003cbr/u003eu003cbr/u003eSuicide Blonde.u003cbr/u003eu003cbr/u003eVisually itu0026#39;s a most arresting piece. The present world inhabited by Walter and his family is filled with bold reds and greens, while his flashback world, where he is detective Fingerling, is full of oblique decor, high contrast lighting and skewed angles. Carrey came in for some criticism, but he sits the role(s) well, especially as Walteru0026#39;s mind starts to fracture. Everyone else is up to scratch with par performances, while Williams provides a score that mixes eerie foreboding with the rumbles of psychological unease. Thereu0026#39;s much strange about the whole production, a sort of trippy/feverish dream where the editing jolts you out of the comfort zone and begs you to be involved in solving the mystery of The Number 23.u003cbr/u003eu003cbr/u003eNot for everyone, obviously, and it asks a lot of forgiveness for its faults. Yet there is a better film here than I was led to believe it was. Perhaps for you as well? 7/10”