Fighter (2024)
42KFighter (2024). 2h 46m
“Fighter helmed by Sidharth Anand and featuring a stellar cast including Hrithik Roshan, Deepika Padukone, and Anil Kapoor, unfortunately, falls into a myriad of pitfalls that collectively diminish the filmu0026#39;s overall impact. The most glaring issue is the excessive use of slow-motion shots, which not only overwhelms the viewer but also detracts from the storytelling. The repetitive nature of these sequences becomes a veritable headache, diluting the potential impact of pivotal moments.u003cbr/u003eu003cbr/u003eWhile the star power of the cast is undeniable, the filmu0026#39;s visual effects leave much to be desired. The CGI elements lack the finesse expected in contemporary cinema, diminishing the overall cinematic experience. Furthermore, the inclusion of songs seems more like a gratuitous platform for Deepika Padukoneu0026#39;s dance performances rather than serving a purpose within the narrative, contributing to a disjointed viewing experience.u003cbr/u003eu003cbr/u003eThe inclusion of songs in the movie felt forced and unnecessary. While music can undoubtedly elevate a film, in u0026quot;Fighter,u0026quot; it appeared more like a platform for Deepika Padukone to showcase her dance skills than an integral part of the storytelling. This diversion from the plot not only disrupted the flow but also left me questioning the purpose of these musical interludes.u003cbr/u003eu003cbr/u003eA notable drawback is the filmu0026#39;s length, and this issue could have been mitigated by a judicious removal of the superfluous slow-motion shots. Trimming the runtime would not only enhance the pacing but also potentially salvage the filmu0026#39;s narrative cohesion.u003cbr/u003eu003cbr/u003eThe dog-fight scenes, crucial in a film of this genre, disappoint with their lackluster execution. The fighter planeu0026#39;s appearance verges on the cartoonish, compromising the realism necessary for such intense sequences. This, unfortunately, positions u0026quot;Fighteru0026quot; as a pale imitation rather than a worthy contender in the action-thriller genre.u003cbr/u003eu003cbr/u003eComparisons with Ajay Devgnu0026#39;s u0026quot;Runway 34u0026quot; further amplify the filmu0026#39;s shortcomings. Despite a potentially smaller budget, u0026quot;Runway 34u0026quot; managed to deliver a more engaging and commendable cinematic experience. The discrepancy raises questions about the directorial choices made in u0026quot;Fighter,u0026quot; leaving audiences longing for a more polished and well-thought-out production.u003cbr/u003eu003cbr/u003eIn conclusion, u0026quot;Fighteru0026quot; struggles to soar to the heights anticipated from a film of this caliber. Sidharth Anandu0026#39;s vision, marred by a lack of restraint in certain aspects, results in a movie that feels like a missed opportunity rather than the cinematic triumph it could have been.”
