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Inga (1968). 1h 21m | X

“This film is good, provided that you place it its right time-frame.u003cbr/u003eu003cbr/u003eAt the end of the Sixties, anti-conceptive became widely available. So for the first time in history sex could be disconnected from childbirth. This caused a true wave of hedonism, reflected in films like u0026#39;Ingau0026#39;. Made in Sweden, of course, because in those days Sweden was regarded as leading — which probably had much to do with the Scandinaviansu0026#39; traditional relaxed attitude towards sex and nudity.u003cbr/u003eu003cbr/u003eActually, u0026#39;Ingau0026#39; got down so well in the late 1960-s, that its title became a sort of trademark-name for all the soft-porn of its era.u003cbr/u003eu003cbr/u003eToday, u0026#39;Ingau0026#39;s main quality is its ability to carry you back to the late 1960-s. Surely revoking memories for those who were around at the time.u003cbr/u003eu003cbr/u003eThose who werenu0026#39;t are left with a well-shot film. In black and white. With a coherent, well-presented story that may be somewhat boring to todayu0026#39;s standards.”

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