Speedway Junky (1999)

Speedway Junky (1999). 1h 45m | R

“For a supposedly bunch of cultured, educated, intelligent, and especially creative folks, gay people seem to make the same movie over and over and over. u0026quot;Speedway Junkyu0026quot; is old news. Writer/Director Nickolas Perry mixes up u0026quot;Midnight Cowboy,u0026quot; u0026quot;Where the Day Takes You,u0026quot; u0026quot;johns,u0026quot; and an ABC Afterschool Special and comes up with a concoction so bland that youu0026#39;ll find yourself pushing it around on your plate, wondering what to do with it.u003cbr/u003eu003cbr/u003eThe story focuses on a naive county boy runaway (Jesse Bradford) who comes to Las Vegas to strike it rich so that he can become a race car driver. Of course, he is practically robbed, raped and beaten by the time the first reel is over. The filmu0026#39;s most nauseating segment concerns a businessman who picks up the young boy for obvious reasons. Of course, Jesse is blind to the whole scenario until it gets real obvious. Itu0026#39;s revolting stereotypical crud.u003cbr/u003eu003cbr/u003eBut Jesse is fortunate enough to meet young Jordan Brower, a gay urban hustler who takes him under his wing. Jordan has his sights on Jesse but heu0026#39;s such a sweet young gay hustler that he wouldnu0026#39;t dream of forcing himself on the other boy. They become fast friends when Jesse gets the stuffingkicked out of him and Jordan nurses him back to health, like the good homosexual teenage boy that he is. Of course, Jesse is straight, so Jordan is wasting his time here. Wow – how novel!u003cbr/u003eu003cbr/u003eAlong the way there is much more trash. Jonathan Taylor Thomas plays the king of the strip, a teen hustler who does it all if the price is right. Of course, the biggest draw here is to see the wholesome milk-drinking TV star say u0026quot;fucku0026quot; and talk about taking it up the ass. Whoopie. Thomas does the best he can, but he is relegated to the backdrop of the Jesse/Jordan love story – or rather, the lack thereof of it. Thomas also has to compete against some of the worst acting in the world, brought forth by Daryl Hannah, Tiffany Amber- Thiesen and some unknowns who were unfortunate enough to be cast here. Itu0026#39;s a shambles.u003cbr/u003eu003cbr/u003eIf there is any savior of the piece, it is Brower who does his absolute best here to bring his gay teen character to life. Heu0026#39;s might be quite good with the right director and costars. The scenes between him and Hannah almost work. A particularly good scene comes when Brower cries in unrequited love while his friend Jesse makes it with Hannah. The scenes are quick cut back and forth but the heterosexual scene doesnu0026#39;t go far enough. We know why Brower is in anguish, he is thinking of Jesse with the older woman. The scene with Jesse and Hannah, however, is so dull, so lackluster, so bland that it doesnu0026#39;t really work. Brower would be thinking of his love interest in bed with the woman, not just him kissing her tenderly. It just doesnu0026#39;t go far enough. It doesnu0026#39;t have enough oomph. Itu0026#39;s too darn Hollywood u0026quot;safe.u0026quot; Too bad Brower works so hard for almost no payoff. Thatu0026#39;s his problem in the whole movie. Heu0026#39;s the only one on screen with any chops.u003cbr/u003eu003cbr/u003ePerry somehow talked Gus Van Sant into producing this piece of drivel. Hope Gus did it as a tax write-off. Why would he produce a watered-down drab rip-off of his own u0026quot;My Own Private Idaho?u0026quot; u0026quot;Speedway Junkyu0026quot; is pure soap opera. There is no spark here, no joy, no fun and nothing new. Same crud, different film. Perry doesnu0026#39;t even seem to be trying. There is no glimmering in his direction. There is not one interesting shot (does the camera even move?) and definitely no unifying theme or motif or visual sense. Even Las Vegas as a backdrop looks bland. In many ways, it would be more fun to sit in the 4 Queens casino on the strip and drop quarters in the slot machines than to sit through this sorry waste of film. But occassionally you hit a small payoff, and Brower pops up with another good bit of acting in an otherwise barren wasteland of lost, pointless neon.u003cbr/u003eu003cbr/u003ePersonal Notes: Seen on 8/28/99 as part of the Austin Gay and Lesbian Independent Film Festival. The director, an extremely nice man, was in attendance and did a Qu0026amp;A session. Among other tales was the story of hiring JTT. Another actor had been hired to play the role of Steven but showed up incapacitated . Perry was given 48 hours to find a new teenage u0026quot;name actoru0026quot; or the film would be scraped. JTT was on hiatus during the summer from u0026quot;Home Improvementu0026quot; and accepted the role after being faxed pages of the script.u003cbr/u003eu003cbr/u003ePerry did not write the cross cut scene where Bradford and Hannah make love and Brower cries. He had those as separate entities. The editor did this and showed it to Perry who wisely saw itu0026#39;s genius.u003cbr/u003eu003cbr/u003ePerry said that he thought of Broweru0026#39;s character as a sort of saint but did not consciously act visually on this idea. He said many people see religious imagery in the film. I myself saw a scene where a hubcap in the background was lit so that it became a halo over a scene. Perry said this was not a conscious thing.u003cbr/u003eu003cbr/u003ePerry said he had written many scripts about L.A. fringe youth but none had sold. He made a short film called u0026quot;Must Be the Musicu0026quot; (shown at agliff in u0026#39;96) which Van Sant saw and liked. The director agreed to work with Perry about the time he was coming off the phenomenal u0026quot;Good Will Huntingu0026quot; which helped spark interest in his script for u0026quot;Speedway Junkyu0026quot; and got the ball rolling.u003cbr/u003eu003cbr/u003ePerry said his next project was that he was hired to write a script about a rock star who fakes his own death after his biggest hit so he can find the girl of his dreams. Uck!u003cbr/u003eu003cbr/u003eAt this time, the film is still seeking a distributor.”