The Grandmother (Short 1970)

The Grandmother (Short 1970). 34m | Not Rated

“One of the most disturbing things iu0026#39;ve ever seen. The actors in this film, David Lynchu0026#39;s third film technically, but his first narrative film, were never in any other movies – one of them, Father, died a few years ago – it is as if they exist only in the frightening nightmare world of this boyu0026#39;s life, which consists of two dog-like parents who only bark at him with unintelligible sounds, and beat him and rub his face in the urine when he wets the bed, like a puppy. The subject of the film (and if i donu0026#39;t tell you this, itu0026#39;ll make so little sense to you, because its never properly explained in the film) is the boy has no love from his parents, and no grandmother to give him respite from them and comfort him, so he grows one in the attic.u003cbr/u003eu003cbr/u003eIt is a horrifying, brilliant film, which creates an imaginative world very successfully – albeit one you desparately want to escape from as soon as possible, but it does this well at least.u003cbr/u003eu003cbr/u003eThe Lynchian oeuvre is almost fully formed here, right from the start. Little dialogue, atmospheric soundtrack of constant sound effects which you find in Eraserhead, Elephant Man, Lost Highway and Mulholland Dr; impressionistic approach to performance and makeup/costume and sets; the quality of estrangement in the direction, and most importantly there is the union of terrible, twisted darkness and optimistic naivety (developed to the full in Blue Velvet and Mulholland Dr).u003cbr/u003eu003cbr/u003eFor Lynch fans, this is a thing to see. Unlike Six Men Getting Sick or The Amputee, this is not just an experiment or an early film of a Director that ruins your impression of them, it stands on its own, irrespective of Lynchu0026#39;s subsequent work (though it also sets the tone for his subsequent narrative work) as a great surrealist/impressionist narrative short.”