Romance in Hawaii (TV Movie 2023)

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Romance in Hawaii (TV Movie 2023). Romance in Hawaii: Directed by Nanea Miyata. With Kelley Jakle, Cedric Jonathan, Peter Porte, Carrie Schroeder. Leah, a successful financial executive, discovers the missing passion from her life when she starts taking secret hula dance lessons from handsome local Ikaika, while on assignment in Hawaii.

“Dance of the heart, also called romance in hawaii. Leah (kelley jakle) is sent to hawaiu0026#39;i on assignment. With her co-worker. But right from the start, we know that they are there under false pretenses; the property on which they want to bid cannot be sold to a company. And yet they are making offers on behalf of their company. Clearly, there will be a painful confession at some point where the seller realizes a company is the actual buyer. Leah takes informal hula lessons from ikaika (cedric jonathan), one of the islanders working at the hotel. Having been to kauaiu0026#39;i many times, the sunsets are incredible. As well as the deep colors. And the fun people. And the beaches. And the customs. Here, the script needed some fixing up; in the first half of the film, many of the conversations are choppy and awkward. Almost as if some of the lines were missing. Rough editing? The basic story is very sweet, and I admire the lessons and hawaiu0026#39;ian customs that are shared with the viewer. Iu0026#39;m sure not many mainlanders (including myself) knew the rules concerning hula. Having hiked the north shore of na pali, some day I would love to visit the ceremonial hula platforms on the property. Itu0026#39;s a beautiful story, and a nice opportunity to share customs, songs, and hula with the mainlanders. So why does leah feign surprise when ikaika learns the truth? We all heard the boss talking about the false premise right at the start. Sure, leah didnu0026#39;t realize who actually owned the land, but she knew from the start they were going in under false pretenses, and that would anger the family. It is a cute story, but the script just needed a tune-up. Directed by nanea miyata.”

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