Door Mouse (2022)

Door Mouse (2022). 1h 41m

“Avan Jogia does an all around phenomenal job with Door Mouse. The film starts out the gate with stunning visuals and a killer soundtrack (with both only getting better as the film goes on). The beautiful color grading and well-timed graphic novel components combine to create a world thatu0026#39;s so familiar, yet just out of reach.u003cbr/u003eu003cbr/u003eHayley Law as Mouse perfectly captures the essence of how deeply jaded yet fiercely passionate so many teens and young adults feel today. Apathy masking how suffocating it really is to move within never ending systems of oppression. The film allows space for people of color, especially women, to reclaim their agency outside the lens of u0026quot;otherness.u0026quot; Nhi Do as Doe Eyes does this particularly well. Her presence haunts you with every appearance and drives the story to its satisfying end. Keith Powers was a delight as Ugly. He manages to bring such levity and authenticity to his scenes with only the slightest of expressions. (The part where we learn his government name was one of my favorites – superb comedic timing)u003cbr/u003eu003cbr/u003ePower, privilege, and race dynamics are captured in the way that they are simply how our world exists. Accordingly, the dialogue delves into inequity with such casual depth and itu0026#39;s refreshing to see how that can be done so matter of fact without overstating rote talking points.u003cbr/u003eu003cbr/u003eDoor Mouse doesnu0026#39;t try to be more than it is – a wonderfully gritty, nostalgic noir that just happens to have an incredibly diverse cast – and in doing so, demonstrates how impactful and captivating telling familiar stories from different lenses can be. I laughed, I cried, I raged at how cruel the world can be, and ultimately left empowered that there are still ways to make sense of it all.”