I vampiri (1957)

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I vampiri (1957). 1h 22m

“As far as I am concerned, Mario Bava is simply THE greatest Horror director who ever lived, and there are several reasons why. No other director has ever been capable of creating a haunting yet beautiful, dream-like atmosphere in the brilliant manner that Bava was, there is no other Horror director whose repertoire includes the most genuine masterpieces. The supreme master of Gothic Horror and undisputed inventor or the Ialian Giallo, Bava single-handedly launched the Italian Horror boom which resulted in Italy becoming the undisputed country Nr.1 in the Horror world. Italian Horror cinema found real international recognition after Bavau0026#39;s incomparable Gothic masterpiece u0026quot;La Maschera Del Demoniu0026quot; (aka. u0026quot;Black Sundayu0026quot;), probably my choice for THE greatest Horror film of all-time. However, the milestone that launched the raise of Horror made in Italy in 1956 is this stylish and extremely elegant gem u0026quot;I Vampiriu0026quot;. Horror films had been banned in Italy by the Fascist regime, and it was not until the mid fifties that this ban was withdrawn. The first post-WW2 Italian Horror film was directed by Riccardo Freda (another more than great director), Mario Bava was the cinematographer. When director Freda backed out from the project because he couldnu0026#39;t finish it in time, Bava jumped in and finished the film (even though he remained uncredited as a director). And what an accomplishment it is! The plot does not really revolve around traditional vampires as they would appear in other contemporary Horror milestones, such as the British Hammer classic u0026quot;Draculau0026quot; of 1958. u003cbr/u003eu003cbr/u003eThis film has another morbid formula that would become one of the most popular themes in European Gothic Horror of the early 60s. A murderer is on the loose in Paris, and since the bodies of his young female victims lack even a drop of blood in their bodies, he has been nicknamed u0026#39;The Vampireu0026#39;. – I shall not give away more of the plot, only that it mixes elements of mad science with the supernatural. The story is wonderfully morbid and suspenseful, however, it is arguably the cinematographic style that is the most pioneering element of this great film. The budget was actually quite low, but Bavau0026#39;s brilliant sense for lighting, and especially, for the dark, as well as incredibly uncanny settings create the beautifully eerie atmosphere that we so love in Bavau0026#39;s later films. Especially the wonderfully dark castle is a haunting and beautiful setting for such a fascinating story. The performances are also very good, the greatest coming from director Riccardo Fredau0026#39;s wife Gianna Maria Carnale in a mysterious role. Prolific Eurohorror/Exploitation Paul Muller began his streak of demented characters with this milestone. Overall, u0026quot;I Vampiriu0026quot; is not Bavau0026#39;s best Gothic Horror film – u0026quot;La Maschera Del Demoniou0026quot; is, without doubt, and other masterpieces, such as u0026quot;Operazione Paurau0026quot; (aka. u0026quot;Kill Baby Killu0026quot;, 1966), u0026quot;I Tre Volti Della Paurau0026quot; (aka. u0026quot;Black Sabbathu0026quot;, 1963) or u0026quot;La Frusta E Il Corpou0026quot; (aka. u0026quot;The Whip And The Bodyu0026quot;, 1963) also easily surpass it. However, it was this milestone that started Italian Horror. And what an elegant, haunting and fascinating milestone it is! An absolute must for every Bava fan, Horror-buff or lover of great cinema in general!”


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