Mies hämärästä (1953)

Mies hämärästä (1953). 1h 10m | K-16

“Hereu0026#39;s an example of a routine thriller that could have been so much better if the script hadnu0026#39;t been so banal. Unfortunately, nothing really riveting happens until the last twenty minutes when the amnesiac victim enters an amusement park with some startling results.u003cbr/u003eu003cbr/u003eItu0026#39;s the final chase scene that make the film come to life, but by that time (and even though the running time is brief), many a viewer will be turned off by the pedestrian script and the average performances.u003cbr/u003eu003cbr/u003eEven old pros like Edmond Ou0026#39;Brien and Audrey Totter look as though they know the script is the problem. Totter, minus her usually scrappy dialog has a colorless role. She plays it straight but makes almost no impression as the woman who wants her boyfriend to amend his old ways after he finds the missing loot that the villains are chasing him for.u003cbr/u003eu003cbr/u003eIt was originally intended to be shown in 3D, and this is obvious from some of the gimmicky Bu0026amp;W photography for the carnival scene. Still, the low-budget aspect of the whole thing is apparent from the start and the final impression is of a quickie B-film unworthy of Ou0026#39;Brien and Totter.u003cbr/u003eu003cbr/u003eTed De Corsia has his usual tough guy role as the punk who likes to slam Ou0026#39;Brien around but even he is handicapped by the hackneyed tough guy dialog. Lew Landers directs the story without any distinction until the final scenes at the amusement park.”