Maailmojen välissä (2014)

Maailmojen välissä (2014). 1h 38m | K-12

“. u0026quot;Zwischen Weltenu0026quot; (Between Worlds) a Stark new drama about a German military unit on a peacekeeping mission in a most inhospitable Afghan village has Golden Bear written all over it. Itu0026#39;s German, itu0026#39;s political, itu0026#39;s timely, itu0026#39;s depressing, itu0026#39;s unhappy, itu0026#39;s a very well made military thriller — and the director, Feo Aladag, is a woman ~ what more could a Berlinale Jury ask for! Of course there are other emotionally draining films in contention, and I havenu0026#39;t see all of them, but if I were a betting man this is the one Iu0026#39;d be betting on.u003cbr/u003eu003cbr/u003eDirector Feo Aladag (née Feodora Schenk), 42, is an Austrian actress, writer, director, producer. She has 34 acting credits going back to 1996, mostly in TV series but this is only her second directorial effort and what an effort it is — a truly gripping tale of German soldiers having to cope with the open hostility of the people they are supposedly protecting from the Taliban. It centers on the moral dilemma of a young German officer (Ronald Zehrfeld) who has already lost a brother in this crazy civil war and goes against orders to leave his command post in order to rush a young Afghan woman to the German military hospital before she bleeds to death — victim of a drive-by shooting, presumably the Taliban, but maybe others in a situation where nobody really knows who the enemy is any more.u003cbr/u003eu003cbr/u003eActress Saida Barmaki looks very much like Malala Yousafzai, the Pakistani girl who inspired the world after surviving a Taliban bullet to the head last year. In the film she is the sister of interpreter Tarik, who is on the Taliban hit list as a collaborator. (Mohamad Mohsen)u003cbr/u003eu003cbr/u003eFour languages are heard in the film, German, English, Dari, the Persian dialect of hero Jesperu0026#39;s interpreter, and Pashto, the majority Afghan language of the leader of the ragtag anti-Taliban force holding the village.u003cbr/u003eu003cbr/u003eA cultural difference becomes a bone of contention between the Germans and the Afghans when a cow wanders into the barb wire of their compound and is shot to u0026quot;put it out of its miseryu0026quot;. The owner of the cow demands a redemption of 500 €uros, because the cow is his only means of livelihood and he holds the Germans responsible. Putting animals out of their misery is apparently not part of their culture. The sum effect of the film is to force western viewers to ask themselves, u0026quot;What in hell are we doing in their country, anyway?u0026quot; — The picture was strongly applauded, at the Haus Der Deutschen Festspiele cinema, which is a drag to get to by U-Bahn far from the festival center of Potsdamer Platz. However, so many of the hot ticket films are being shown there that this trip to the festival sticks is nearly unavoidable. This one was certainly worth it!”