Moana (1926)

Moana: Directed by Frances H. Flaherty, Robert J. Flaherty. With Ta’avale, Fa’amgase, Tama, T’ugaita. Filmmaker Robert J. Flaherty presents a docufictional account of a family living in a Samoan village in the early 1920s.

“Moana was filmed in Samoa in the villages of Safune district on the island of Savaiu0026#39;i. The name of the lead male character, moana means u0026#39;deep wateru0026#39; in the Samoan language. In making the film, Flaherty lived with his wife and collaborator Frances and their three daughters in Samoa for more than a year. Flaherty arrived in Samoa in April 1923 and stayed until December 1924, with the film being completed in December 1925.u003cbr/u003eu003cbr/u003eThe youngest of the children Robert and Frances Flaherty brought with them to Samoa was their then-3-year-old daughter Monica. In 1975, Monica Flaherty returned to Savaiu0026#39;i to create a soundtrack for her parentsu0026#39; hitherto-silent film, including recording ambient sounds of village life, dubbed Samoan dialogue and traditional singing. The resulting u0026quot;Moana with Soundu0026quot; was completed in 1980, with help from filmmakers Jean Renoir and Richard Leacock, and first shown publicly in Paris in 1981.u003cbr/u003eu003cbr/u003eThe version I saw on Netflix was the sound version, and I can hardly imagine watching it any other way. Although there may be dubbing and it is not the original cast, this does not seem to hurt the picture (especially because I cannot understand what they are saying).u003cbr/u003eu003cbr/u003eMaybe this is u0026quot;docufictionu0026quot;, but it still has some level of authenticity that could not longer be done today. Samoa of the 1920s is not Samoa of the 2010s. Even if some scenes are staged or a little bit fake, it captures the people in about as close to reality as is possible. And for that reason, it is worth seeing if you have an anthropological interest. (I feel like it is more realistic than u0026quot;Nanooku0026quot;, at least.)”