Hold Back Tomorrow (1955)

Hold Back Tomorrow (1955). Hold Back Tomorrow: Directed by Hugo Haas. With John Agar, Cleo Moore, Frank DeKova, Dallas Boyd. A condemned murderer, scheduled to hang in the morning, asks for the company of a woman in his final hours.

“This is my favourite performance from the otherwise rather sterile John Agar. He is u0026quot;Joeu0026quot;, on death row having been found guilty of strangling three women. Heu0026#39;s decided to go out in Garbo style, wanting to be alone and angrily resisting any attempts from his family, or the priest, to comfort him as the big day nears. With twenty-four hours to go, though, he decides that the u0026quot;companyu0026quot; of a lady might help ease his burden and obliged to help him out, the prison manage to recruit u0026quot;Dorau0026quot; (Cleo Moore). Now sheu0026#39;s not in a very good place either – indeed had earlier tried to jump in the river; so a few dollars for a quickie with u0026quot;Joeu0026quot; didnu0026#39;t seem such a bad offer. Whilst there is certainly a predictability about the latter portion of this drama, itu0026#39;s still performed well and is tautly directed by Hugo Haas. Moore delivers an impassioned effort, indeed in many ways her character is far more intriguing than the sorry-for-himself u0026quot;Joeu0026quot;. It is a bit dialogue-heavy, but for the most part that dialogue is worth listening to as we head towards the expected denouement – expected on just about every level. It does sail perilously close to melodrama at times, but it has a compensating grittiness and realism that I felt made this a much better than average tale to tell. You probably wonu0026#39;t remember it for long afterwards, but itu0026#39;s enthralling enough when you watch.”