Drei Farben – Rot (1994)

Drei Farben – Rot: Directed by Krzysztof Kieslowski. With Irène Jacob, Jean-Louis Trintignant, Frédérique Feder, Jean-Pierre Lorit. A model discovers a retired judge is keen on invading people’s privacy.

“It is not only difficult to comment separately on the three parts of Kieslowskiu0026#39;s trilogy, it seems obvious that the filmmaker wants us to do just the opposite: view them in order, Blue, White, and Red, and consider them together as one complete work. It is true they are distinct stories with distinct themes: liberty, equality, fraternity, and each them is developed with unique applications of intrigue and artistry. They are each well worth seeing independently, but I believe they are best seen as one work. Collectively, I would rate the trilogy as a 9; separately, I place each in my top ten for the years 1993 and 1994.u003cbr/u003eu003cbr/u003eThe color red is most memorable in the third movie as a backdrop in a billboard ad, the profiled model of which is the central of the movieu0026#39;s three main characters. The other two characters do a double-take of a varying degree of recognition when they first come upon the ad, posted larger than life alongside a busy city intersection. This ad is not a major part of the plot of this movie, yet its image becomes striking and is one of the reasons I have called Red a `mind-bendingu0026#39; film. This is the third of Kieslowskiu0026#39;s Three Colors trilogy, based on the Blue-White-Red of the French flag and the three parts of its motto, `Liberty, Equality, Fraternity.u0026#39; The films stay primarily focused on these themes, keeping with the basic levels of one, two, or three main characters, yet with each film the complexity of plot escalates as the three principles move from fundamentally personal (Liberty, Blue) to relational (Equality, White) to social (Fraternity, Red). Red is my favorite of these films, and I give it a 9. It stands by itself as a great film, but one should see Blue and White first for the fullest effect.”