Die fabelhafte Welt der Amelie (2001)68K
Die fabelhafte Welt der Amelie: Directed by Jean-Pierre Jeunet. With Audrey Tautou, Mathieu Kassovitz, Rufus, Lorella Cravotta. Amélie is an innocent and naive girl in Paris with her own sense of justice. She decides to help those around her and, along the way, discovers love.
“Rating: ***1/2 out of ****u003cbr/u003eu003cbr/u003eWhat a fun film! From the moment it begins, u0026quot;Amelieu0026quot; bursts with joy and energy. Itu0026#39;s a fable of sorts, a love letter to a Paris fondly dreamt of by many. It may not be the real world, but it is such a delightful fantasy that it doesnu0026#39;t matter how unbelievable some of it may be. u0026quot;Amelieu0026quot; is the rare romantic comedy that has both the romance and the comedy. It isnu0026#39;t very surprising that this has been a hit in France for a while now, and I have no doubt it will find the audience it needs in the States as well.u003cbr/u003eu003cbr/u003enAmelie Poulain (Audrey Tautou) is a nave girl working at the Two Windmills Caf. When she was a child her mother and teacher was an innocent victim of a suicide gone awry. Amelie stayed with her father until she was old enough to leave and lead a life of her own. One day she finds a small box of treasures behind a tile in her wall, she decides to return it to her owner and become a natural do-gooder. Later on, she catches a man groping for lost photos under a photo booth (Nino Quincampoix, played by Mathieu Kassovitz), and itu0026#39;s love at first sight. She decides to go on a quest to find this man and help anyone she can along the way (including her father and co-workers).u003cbr/u003eu003cbr/u003enI said before that this film was a love letter to Paris, it is also a love letter to Amelie herself. Jean-Pierre Jeunet (director and co-screenwriter) conjured the film like a dream, as if Amelie is his dream girl and he is trying to save her and bring her to a happy ending. Itu0026#39;s not hard to want everything to work out for her and her friends. Amelie Poulain is the kind of person who you wish was your best friend, your neighbor or your sister. She bounces along with good grace and whimsy living life to its fullest, yet keeping a mischievous grin. She has her own idea of justice that isnu0026#39;t very disagreeable. The tormentors must in turn be tormented; the lifeless must be brought to life. The film is like a non-musical u0026quot;Bells Are Ringingu0026quot;, with our heroine bringing so much life to those around her but neglecting her wants and needs.u003cbr/u003eu003cbr/u003eAfter seeing Audrey Tautou as Amelie, I canu0026#39;t possibly imagine anyone else in that role. She embodies Amelie like no one else could, she is a rare find that pulls off the job of breathing life into Amelie in spades. Wait, I take that back. She does not just breathe life into Amelie, Tautou makes her jump off the screen and pull the audience into the story. It would be a crime for her not to get a Best Actress nomination for her role.u003cbr/u003eu003cbr/u003enMagical is the world that Amelie lives in, where photos and lamps come alive to aid her quest, where TV shows are showing nothing but her story. The story this setting surrounds is pretty standard, and presented plainly could have just been another machine-processed romantic comedy. Is it too sappy? No. On the contrary, the film takes quite a few steps to make sure it doesnu0026#39;t become tacky or conventional. The rich, storybook setting and a witty screenplay (asides are taken to deepen our connection each character, little things that each likes and dislikes) make the film all the more a delight to watch. The cinematography, crafted by Bruno Delbonnel, does wonders for u0026quot;Amelieu0026quot;. The camera captures the action with an eye of a child in a candy store, beautifully bringing about each shot as a new discovery.u003cbr/u003eu003cbr/u003enWith films like u0026quot;The Widow of Saint-Pierreu0026quot;, u0026quot;With a Friend Like Harryu0026quot; and box-office hit u0026quot;Brotherhood of the Woldu0026quot;, French cinema has had quite a year. Itu0026#39;s a delight that we round off the year with u0026quot;Amelieu0026quot;, a fresh, funny journey that could have easily just been more Meg Ryan-esque romantic comedy fodder. If not for anything else, see it for Tautouu0026#39;s performance, but prepare to be smothered in a dream world.”