Holiday Hell (2019)

Holiday Hell: Directed by Jeremy Berg, David Burns, Jeff Ferrell, Jeff Vigil. With Jeffrey Arrington, Mandy Baker, Thomas Brophy, Scott C. Brown. A mysterious shopkeeper narrates four horror tales, each set during a different holiday.

“Holiday Hell is like a sack of presents on Christmas morning: some stories are as entertaining as a new Commodore 64 computer game (yes, Iu0026#39;m old); others are the equivalent of a jumper hand-knitted by an auntie (multiple colours, slightly too large with uneven arms). Itu0026#39;s a mixed bag, for sure, but with a fun performance by horror icon Jeffery Combs, and some gore and nudity, itu0026#39;s still worth delving into.u003cbr/u003eu003cbr/u003eCombs plays the proprietor of a curiosity shop, who tries to help last-minute customer Amelia (Meaghan Karimi-Naser) to choose a gift for her sister. As Amelia deliberates over several potential gifts, the shopkeeper tells her the story behind each of them.u003cbr/u003eu003cbr/u003eIn the first story, a mysterious killer wearing a doll-mask murders a group of youngsters partying in an abandoned house. Itu0026#39;s a really uninspired way to kick things off, with very little to offer beyond its trite premise, but fortunately things get better with the next tale…u003cbr/u003eu003cbr/u003eA young Jewish boy, Kevin (Forrest Campbell), is given an old, one-of-a-kind rabbi doll by his parents, who leave their son in the care of babysitter Lisa (Amber Stonebraker) while they spend the weekend in Germany. Not long after his parents have gone, Kevin overhears Lisa talking to her boyfriend Trey on the phone: the pair are planning to empty Kevinu0026#39;s home of its valuables. When Lisa catches Kevin listening, she locks him in his room, but Kevinu0026#39;s doll comes to the rescue when the boy reads from an old scroll hidden in the toyu0026#39;s box. Springing to life, the creepy wooden rabbi ensures that Lisa and Trey get their just desserts. A murderous living doll might not be all that original, but this is a well-handled story with a decent pace and a smattering of gore.u003cbr/u003eu003cbr/u003eTalking of gore, thereu0026#39;s more in the third story, which centres around a blood-stained Santa suit. Owner of the initially pristine costume is down-trodden pharmaceutical company office-worker Chris (Joel Murray), who is overlooked for promotion and then sees his wife Susan (Ailsa Marshall) cheating on him at the Christmas office party with his work rival Tom (Jeff Bryan Davis). Hitting the bottle at a nearby bar, and hoovering up some of his companyu0026#39;s experimental tablets, Chris turns homicidal, visiting a local hardware store before returning to the party. Gratuitous nudity, drug-taking, and a nail-gun to the crotch: sophisticated it isnu0026#39;t, but it sure is fun.u003cbr/u003eu003cbr/u003eThe final tale sees a young woman, Anna (the lovely McKenna Ralston), renting a room at a farmhouse, and finding work in the nearby town, only to discover that the locals are murderous moon worshippers. Itu0026#39;s a fairly blood-free story, but benefits from an eerie atmosphere and solid performances, and ends in a shocking manner that successfully segues back into the wraparound story, where Combsu0026#39; shopkeeper turns out to be far less amiable than he seems.u003cbr/u003eu003cbr/u003eWith such an uneven movie, rating it as a whole isnu0026#39;t easy. Iu0026#39;d give the doll-face story 2/10, the rabbi doll 6/10, the killer Santa 6/10, the moon worshippers 5/10, and the book-ends 4/10. Thatu0026#39;s a total of 23, averaging out at 4.6/10, which Iu0026#39;ll round up to 5 for naming Chrisu0026#39;s tablets Black Sunshine, which I assume is a reference to Jeff Liebermanu0026#39;s Blue Sunshine (1977).”