Der gebrochene Pfeil (1950)

Der gebrochene Pfeil: Directed by Delmer Daves. With James Stewart, Jeff Chandler, Debra Paget, Basil Ruysdael. Tom Jeffords tries to make peace between settlers and Apaches in Arizona territory.

“As the war rages between the American settlers and the Apache, former soldier Tom Jeffords happens upon a young Indian wounded after an attack. Taking upon himself to aid the boy, itu0026#39;s not long before the Apache show up intent on killing Jeffords by way of the war instincts. Pleading for Jeffordsu0026#39; life, the boy manages to get him spared by the Apache chief, Cochise. Itu0026#39;s the start of a friendship that may just bring and end to the war and peace across the west.u003cbr/u003eu003cbr/u003eTho not the first u0026quot;socialu0026quot; Western film made, Broken Arrow, it can be argued, is maybe one of the most important and telling genre films of the 50s. Showing humanist portrayals of the Apache and dealing out level headed tellings of the relationships between whites and the Native Americans, Delmer Davesu0026#39; film is as relevant today as it was back on release. Adapted from Elliott Arnoldu0026#39;s novel Blood Brother, the story follows Jeffords (a measured and fine James Stewart) as he attempts to broker peace between the warring factions. Firstly by convincing Cochise (Jeff Chandler bang on form) to allow the mail run thru the pass, something that brings suspicion and calls of Indian lover from Jeffordsu0026#39; own kind, and then to finally set up a peace pact at a time when violence and hatred was rife in the west.u003cbr/u003eu003cbr/u003eAs the friendship between the two men grows, Jeffords and an Apache girl fall in love (beautiful Debra Paget as Sonseeahray), thus giving the story a further jolt of momentum. The screenplay then really hits its stride, as Daves and his crew pit peace and inter racial love against a backdrop of bloodshed and savagery. Never glossing over just how hard peace is going to be, Broken Arrow retains intelligence and a sensitivity even as breakaway factions from both sides (for example we see Geronimo split the Apache and form a renegade front) are intent on killing off the peace process. It even has time for deep emotional kickers to reinforce the point of just how tough and unlikely peace and tolerance can be sometimes.u003cbr/u003eu003cbr/u003eBroken Arrow was, and still is, a bold picture. In fact it can be argued that for the likes of Daves and Stewart, it was at the time very bold and risky career moves. But it paid off because the film stands up today as a picture of some distinction. Itu0026#39;s themes and approach to its subjects are something that this generation, and all the future ones, will always find to be socially important. Boosted by Hugo Friedhoferu0026#39;s luscious score and taking advantage of the Lone Pine location shoot, Broken Arrow is a fine fine film that even non Western fans should be looking to absorb. 8/10”