Stripped to Kill (1987)

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Stripped to Kill: Directed by Katt Shea. With Kay Lenz, Greg Evigan, Norman Fell, Pia Kamakahi. When Detective Cody Sheehan discovers the body of a stripper from the Rock Bottom dance club, she wants the case. But the only way Cody can get the assignment is to go undercover – uncovered – at the club.

“What happens when you hire a competent female writer/director to make a low-budget Tu0026amp;A horror-thriller with a strip club setting? You get compromise, and a kind of tug-of-war effect between exploitation and realism. While this one has a more-than-generous amount of Tu0026amp;A and violence, it should also be given credit for delivering a gritty, credible and often unflattering look inside a strip club and the women who populate it. The dancing is explored for all its worth and from all possible angles; exploitation, entertainment, eroticism, even as art. Some of the dancers view their occupation as being a way to express themselves through dance while others think of it as just a paycheck for another nightu0026#39;s work. A few are lesbians, some have drug problems, most have criminal records and a few even seem like reasonably well-adjusted women who find stripping unpredictable and exciting.u003cbr/u003eu003cbr/u003eThe club itself is so atmospherically represented that you can almost smell the cigarette smoke in the hallways. The door of the girlu0026#39;s dressing room, the congregation place where the girls change, bitch about customers, reflect on their lives and pasts, etc., has u0026quot;Womenu0026quot; scratched out and u0026quot;Slutsu0026quot; amusingly spray-painted over it. Much of the dialogue between them is laced with cynicism, no doubt based on a lifeu0026#39;s worth of problems, failures and disappointments. All of the girls are given just enough personality to be likable and what seems seedy at first eventually turns into a somewhat accommodating place for outcasts of all types once the heroine of this film gains employment as one of the dancers.u003cbr/u003eu003cbr/u003eThe heroine is question is a reserved tomboy policewoman played by Kay Lenz, who goes undercover at the club when a serial killer begins targeting the strippers. Sure, weu0026#39;ve seen this exact same plot many times before (at least I have), but this movie takes it a step further. Not only is Lenz trying to crack the case but her character is learning and opening up in the process. This assignment allows her an outlet from the male dominated police force and the opportunity to explore her femininity and sexuality. She also discovers an odd kinship and inner working between the women and gets a little too involved on a personal level. Itu0026#39;s an interesting role and Lenz (a sorely overlooked actress over the years) is great in it. And yeah, she does several nude scenes and looks great doing so, but itu0026#39;s a thoughtful, very good performance that doesnu0026#39;t rely on her couple of nude scenes to be memorable. Norman Fell also has a great supporting role as the no-nonsense club owner, whou0026#39;s every bit as dry and world-weary as his girls.u003cbr/u003eu003cbr/u003eThe biggest gripe I see about this film is that there are too many dance scenes and theyu0026#39;re too long. This is no doubt just filling producer Cormanu0026#39;s quotient of Tu0026amp;A for direct-to-video profit. Well fine, we get the naked girls and get the stripping. Plenty of each. What I donu0026#39;t see usually pointed out is that the dance scenes themselves are entertaining. They usually incorporate some interesting props (motorcycles, fire, a giant spider web…) or have a specific theme and with the lighting mixed in, it does come off as performance art at times. In addition, you can tell the women hired in these roles are actually either professionally trained dancers or actual strippers (or ex-strippers) because their stage performances incorporate flips, splits and a flexibility that requires dance training. The soundtrack is full of dated 80s-style rock, usually with a female vocalist, but itu0026#39;s tolerable. The biggest gripe I had with the film is that the slasher movie plot seems almost an unnecessary afterthought. I was far more interested in the everything else that was going on that I almost lost complete interest in who was actually killing the strippers.u003cbr/u003eu003cbr/u003eWithout question, Katt Shea Ruben is one of the most talented writer-directors Roger Corman employed in the 80s and 90s. She was one of the few with the ability to transcend the formulaic material and anemic budgets to create films that are distinctive, thoughtful, personal and interesting. And like many other notable cult/underground directors, she has never, and may never, receive much recognition or attention, and thatu0026#39;s a true shame. I especially recommend her films DANCE OF THE DAMNED (1988; an intriguing and original vampire film which has sadly slipped into obscurity over the years) and STREETS (1990; a grim drama/thriller starring Christina Applegate). While STRIPPED TO KILL might not be as impressive as the aforementioned films, and a bit more weighted down and padded out, itu0026#39;s still a bright starting point for the director and well worth checking out.”


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