Getting Straight (1970)

Getting Straight: Directed by Richard Rush. With Elliott Gould, Candice Bergen, Robert F. Lyons, Jeff Corey. A Vietnam vet and former social radical is conflicted by his desire to become a teacher and his sympathy with anti-establishment student protests.

“Elliott Gould is bemused and colorful as a Vietnam veteran back in college, stuck between a rock and a hard place; heu0026#39;s working semi-seriously towards getting his teaching credentials, and yet is stymied both by his fellow classmates who want to protest the hypocrisies of the Establishment (with Gouldu0026#39;s help) and also by his instructors, hypocrites in power who work by a double standard. Director Richard Rush occasionally does fluid work, and the film has fervently funny and thoughtful scenes, however Robert Kaufmanu0026#39;s hot-headed screenplay, adapted from Ken Kolbu0026#39;s novel, is awash with half-realized ideas. The kids sound off violently against the universityu0026#39;s directors, but weu0026#39;re never made aware of what they want done about their concerns. Made during an era wherein young people hoped to change the world (as well as get laid), the characters in this picture are nevertheless just sounding-boards for the writer. Topics are brought up not to be discussed but to be challenged–and in these cases, the kids are just as blind as their professional elders. Gouldu0026#39;s shaggy character rants and raves, too, but his Harry Bailey presents a different problem: he cheats, he lies, he cuts corners, he heartily embraces his own set of values and yet is happily corrupt! A hypocrite himself, Bailey loves teaching, loves kids, but he doesnu0026#39;t see his own shortcomings…and Iu0026#39;m not sure the filmmakers do, either. Bailey is a one-sided writeru0026#39;s creation (and oddly, for a movie filled with so many liberal stances, Bailey–like many of the other characters–is anti-female and homophobic). Candice Bergen gives a wan performance as Gouldu0026#39;s shiksa goddess girlfriend who doesnu0026#39;t like being called a WASP and who would give up everything to be a wife in the suburbs. Bergen is continually put down for that, as if sheu0026#39;s a sellout, and yet how exactly would Gould live if he were to achieve his dream of being a high school teacher? As it is, he canu0026#39;t even pay the rent on his apartment. The riot sequences are staged for utter seriousness, filmed and edited with precision, and yet they donu0026#39;t come organically out of this story; they are interjected for shock value. The rage presented here is convincing, but the cause is confusing. These students donu0026#39;t seem to want peace at all, and neither does director Rush. The narrative is pushed towards violence for no other purpose except to vividly stage two movie riots. This is exploitation, and the crummy feeling one gets from the picture can be related right back to the people behind it: theyu0026#39;re hypocrites, too. ** from ****”