Arteholic: Directed by Hermann Vaske. With Udo Kier, Nicolette Krebitz, Brigitte Messe, Jonathan Messe. A road trip through famous museums in Frankfurt, Cologne, Paris, Copenhagen and Berlin.
“In 1983, Director Brian De Palma set out to make a film about the rise and fall of an American gangster, and that he did– with the help of a terrific screenplay by Oliver Stone and some impeccable work by an outstanding cast. The result was `Scarface,u0026#39; starring Al Pacino in one of his most memorable roles. The story begins in May of 1980, when Castro opened the harbor at Mariel, Cuba, to allow Cuban nationals to join their families in the United States. 125,000 left Cuba at that time, for the greener pastures of freedom in America, and most were honest, hard-working people, thankful for the opportunity they had been granted. But not all. Among the `Marielitosu0026#39; who streamed into Florida, approximately 25,000 had criminal records and were nothing less than the dregs of Cubau0026#39;s jails– criminals considered beyond redemption, who Castro had merely wanted to be rid of. And they, too, saw America as a land of opportunity, even as Al Capone had considered Chicago some fifty years earlier. And among the most ambitious was a man named Tony Montana (Pacino), known to his associates as `Caracortada.u0026#39; Scarface.u003cbr/u003eu003cbr/u003eNow that he was free of the yoke of Communism under which he had grown up, Montana wanted what he felt was coming to him, and he wanted it now; and from the moment he stepped off the boat in Florida, he was determined to have it all. Wealth and power– that was Montanau0026#39;s dream, and he would get it by doing what he did best, beginning with a favor for a man living in Miami by the name of Frank Lopez (Robert Loggia). Lopez, it seems, had a brother in Cuba who had met an untimely end at the hands of one of Castrou0026#39;s goons, a man who, having outlived his usefulness to Castro, had been summarily discarded and was currently being held in `Little Havana,u0026#39; along with Montana and all of the Cubans just off the boats, where they awaited their papers from the government that would effect their transition into their new lives. And in short order, Montana sees to it that Lopezu0026#39;s brother has been avenged, and it sets the stage for his own entrance into the underworld of America.u003cbr/u003eu003cbr/u003eLopez, a wealthy businessman with the right connections, in return for the favor gets Montana and his friend, Manny (Steven Bauer), released from the holding camp, and puts them to work. In his day, Capone may have had bootlegging as a means through which to line his coffers with illicit gain, but Lopez has the modern day equivalent, and itu0026#39;s even more lucrative: Cocaine. Lopez takes Montana under his wing and indoctrinates him into the life, but once he has a taste of it, Montana isnu0026#39;t satisfied with whatever crumbs Lopez sees fit to throw his way, and he sets a course that will take him to where he wants to be: At the `top.u0026#39; With a cold-blooded, iron will, Montana decides heu0026#39;ll do whatever it takes to get there, no matter what the cost. but before itu0026#39;s over, he will realize the price for his dream, and heu0026#39;ll pay it; but for a brief moment, perhaps he will know what itu0026#39;s like to be The Man. And he will also know whether or not it was worth it.u003cbr/u003eu003cbr/u003eIn step with De Palmau0026#39;s vision, Pacino plays Montana larger-than-life, and he does it beautifully. From the accent he affects (which he researched thoroughly to make sure he got it right– and he did), to the body language and the attitude, heu0026#39;s got it all, and it makes Montana convincing and very real. What he brings to the role is nuance and style, in a way that few actors (De Niro would be one) can. This is definitely not a character that is sympathetic in any way, nor is there anything about Montana that you can readily relate to on a personal level; but Pacinou0026#39;s screen presence is so strong that it makes him a thoroughly engrossing character, even though itu0026#39;s hard to become emotionally involved with him. Itu0026#39;s quite simply a dynamic, memorable performance.u003cbr/u003eu003cbr/u003eMichelle Pfeiffer gives a solid performance, as well, in the role that put her on the path to stardom. As Elvira, the woman who becomes an integral part of Montanau0026#39;s dream, Pfeiffer is subtle and understated, giving that sense of something going on underneath, while affecting a rather cold and distant exterior countenance. She, like Pacino, definitely makes her presence felt as she fairly glides across the screen with a stoic, enigmatic and sultry demeanor.u003cbr/u003eu003cbr/u003eThe supporting cast includes Mary Elizabeth Mastrantonio (Gina), Miriam Colon (Mama Montana), F. Murray Abraham (Omar), Paul Shenar (Sosa) and Harris Yulin (Bernstein). An excellent precursor to the more recent and highly acclaimed `Traffic,u0026#39; and `Blow,u0026#39; and well as having a climactic scene reminiscent of Peckinpahu0026#39;s `The Wild Bunch,u0026#39; De Palmau0026#39;s `Scarface,u0026#39; originally panned by critics, has since been cited by many as being the definitive American gangster saga. Much of the violence is implied rather than graphic, but this film still has an edge of realism to it that many may find somewhat disturbing. But if you stay with it, there is a lesson to be learned in the end. And like many lessons in life, the most valuable are often the hardest to take at the time. But the reward is always worth it, and thatu0026#39;s the way it is with this film. I rate this one 8/10.”