The Phantom of the Opera at the Royal Albert Hall (2011)

The Phantom of the Opera at the Royal Albert Hall: Directed by Nick Morris, Laurence Connor. With Ramin Karimloo, Sierra Boggess, Hadley Fraser, Wendy Ferguson. A disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the unwitting benefit of a young protégée whom he trains and loves.

“Finally a full staging of my favourite musical and the second longest running one in the U.K is here for the first time on DVD. This live production filmed straight from the iconic Royal Albert Hall in London, which was broadcasted to cinemas and theatres around the world and celebrates 25 years of the Andrew Lloyd-Webber musical, is nothing short of a lavish treat for the eyes and ears, with amazing performances and acting from the cast, including all the songs that fans of the show will know and remember.u003cbr/u003eu003cbr/u003eThe 25th Anniversary production stars the amazingly talented Iranian born Canadian Ramin Karimloo as the Phantom and American Broadway star Sierra Boggess as Christine Daae, with a great supporting performance from Hadley Fraser as Christineu0026#39;s love interest Raoul. Karimloo and Boggess incidentally are no strangers to the characters, having played them previously in the London production of the sequel to this show u0026#39;Love Never Diesu0026#39;. Their chemistry on stage is perfect as are their performances. u003cbr/u003eu003cbr/u003eRamin is terrific as the Phantom and injects emotion and passion into the show playing the phantom as essentially a victim, with a voice that at times can be vengeful and deadly, yet soft and vulnerable at others. His delivery of the u0026#39;insolent boyu0026#39; line near the beginning strikes fear right around the Albert Hall. I would even go as far to say that he is the best Phantom that Iu0026#39;ve watched so far, having previously experienced others on stage live and unfortunately the terrible 2004 movie version starring Gerard Butler. His acting is great without being over the top, and you really feel for the character. Sierra Bogges is also amazing displaying sensitivity, vulnerability and sexuality all throughout the show. Her performance of u0026#39;past of the point no returnu0026#39; being a particular highlight. The two leads work very well together and make the show believable. u003cbr/u003eu003cbr/u003eThere are also good supporting performances too. Hadley Fraseru0026#39;s Raoul is dynamic and energetic without becoming too irritating and makes quite a good match against the Phantom in the battle for Christineu0026#39;s heart. Wendy Ferguson and Wynne (Go Compare) Evans are very funny as the diva Carlotta and Piangi, the two Italian opera supremos who are the subjects of Phantomu0026#39;s rage and eventually driven to obedience. Equally as funny and memorable are the opera house managers Firmin and Andre, played brilliantly by Barry James and Gareth Snook, who camp it up and provide some additional comedy. u003cbr/u003eu003cbr/u003eThe staging and scenery is spectacular, with the doomed chandelier hanging above the audience and the on stage sets, especially the bridge leading to the Phantomu0026#39;s lair, featuring prominently. Due to the venue they had to make a very slight change to the chandelier scene at the end of the first part of the show, but it isnu0026#39;t a big deal and still has a great impact in my opinion. u003cbr/u003eu003cbr/u003eThe show is pretty much identical to that of the theatre version that one may see in Londonu0026#39;s West End or anywhere else it may be on. Some lines were changed ever so slightly but nothing noticeable or significant. The performances throughout will leave you astounded and definitely not disappointed. In fact there are simply no scenes or performances that can be criticised. If you are a fan of the show you will love this and not be disappointed. u003cbr/u003eu003cbr/u003eAs in usual u0026#39;anniversary styleu0026#39;, like the Les Miserables 25th concert, they bring back all the old Phantomu0026#39;s and stars who have performed over the years in various productions. Including Michael Crawford and Sarah Brightman. Andrew Lloyd-Webber also makes a speech about the show and itu0026#39;s legacy. u003cbr/u003eu003cbr/u003eSo now finally you can watch the show like you were in the theatre itself whenever you want. One advantage this production has over seeing it live is that you get to see all the facial expressions and emotions up close, thereby really getting a feel for the show almost like a movie in some parts (but definitely much better than the actual movie).”