Mary Poppins' Rückkehr (2018)

Mary Poppins’ Rückkehr: Directed by Rob Marshall. With Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer. A few decades after her original visit, Mary Poppins, the magical nanny, returns to help the Banks siblings and Michael’s children through a difficult time in their lives.

“Growing up Mary Poppins was one of my favorite films. When Saving Mr. Banks came out a few years back I re-watched the original for first time in years and found a depth I didnu0026#39;t pick up on as a child. So I wasnu0026#39;t really looking forward to a follow up given that the first movie was practically perfect in every way. More to the point who but Andrews could ever do the character justice? Nonetheless, I ventured to see this today because Rob Marshall (he directed the great Chicago) was the director so I had a little bit of hope this would be OK. It is not only OK but it is a wonderful fellow-up to the original film and in some ways closer to the books. My only complaint, and it is exceedingly minor given that it is a family film, is the overall template of Mary Poppins is rather obvious. The new adventure is a bit like the old one and thereu0026#39;s a lot of analog scenes between the two films. But given that Mary Poppins returns to help the Banks children again it feels correct that this is the case. The film is surprising in its details, but comforting in its large familiar strokes.u003cbr/u003eu003cbr/u003eI think, and I canu0026#39;t believe this is true, Blunt is the main reason for this. Andrews is the gold standard but Blunt is almost her equal. Her Poppins is funny, stern, warm, knows more than she letu0026#39;s on, has everything in hand and is utterly charming. Blunt is everything you would want from the character and more. I was most surprised by her vocal performance being as good as it is. Jack (Bertu0026#39;s stand in and family relation) is also a great character. Miranda gives an crackerjack performance of charm, wit and wisdom. Best (and weirdest) of all Miranda uses a bad cockney accent all the time (and while singing!) that *somehow* manages to be obviously bad yet believable and adorable. Everyone is so good in this and the thing I thought most likely to sink the picture is the best part.u003cbr/u003eu003cbr/u003eNot to overlook the score because it is so good I just brought it. It is not quite as memorable as the original but it is solidly singable and ear wormy. So while, say, u0026quot;Can You Imagine That?u0026quot; is not quite as perfect as u0026quot;A Spoonful of Sugaru0026quot; it is a brilliant song in its own right. The real standout is u0026quot;A Cover is not a Booku0026quot; as it is clever, funny, and carries a lot of weight in the story. I think I will playing this on a loop for a while.u003cbr/u003eu003cbr/u003eThe film is quite technically polished. I would argue that the integration of the live-action and animation is done better here than in the original. The cinematographer, art director, and custom designer did a better job of making the various wolds far more seamless here than in the 1st film. The music hall scene is fun and exciting as well as being a marvel.u003cbr/u003eu003cbr/u003eI thought this film was going to be a disaster. Turns out it is among the best of the year.”