Mogambo: Abenteuer in Afrika (1953)

Mogambo: Abenteuer in Afrika: Directed by John Ford. With Clark Gable, Ava Gardner, Grace Kelly, Donald Sinden. On a Kenyan safari, white hunter Victor Marswell has a love triangle with seductive American socialite Eloise Kelly and anthropologist Donald Nordley’s cheating wife Linda.

“I think Mogambo may be John Fordu0026#39;s best film technically. The cinematography is simply sumptuous. The colors and the compositions are some of the most beautiful youu0026#39;ll ever see in a film. Too bad itu0026#39;s not in Cinemascope. I would have loved to see those African landscapes in widescreen. The sound is equally deserving of praise. Rare for a classical Hollywood film, Mogambo contains absolutely no extra-diagetic music, i.e., a musical score. The only music comes from a player piano, or African tribesu0026#39; singing. That singing is just amazing. Most of the background sounds, however, come from African beasts and insects. It provides a threatening mood to the entire film. This experiment pays off wonderfully.u003cbr/u003eu003cbr/u003eUnfortunately, the narrative aspects of the film are lacking. The story, about an adventurer (Clark Gable) who takes a married couple on a safari to study gorillas, is passable. Actually, the meat of the story lies in the budding relationship between Gable and the wife, played by Grace Kelly (perhaps her role in Rear Window, which came out a year later, was inspired by this film). Ava Gardener plays a second love interest, a society girl from NYC, brazen and witty. The problems donu0026#39;t really arise from the plot, but from the characters. They are two-dimensional. Ava Gardeneru0026#39;s role is the best, but the script begins to keep her away from the other relationship, which is treated more romantically. Gableu0026#39;s role is too cliche. Itu0026#39;s paper thin, and I just never cared much what happened to him. But I think the real problem is with Kelly and her role. Her character changes in wildly unbelievable ways. Itu0026#39;s almost as if she falls in love with Gable because, well, thatu0026#39;s what women do when Clark Gableu0026#39;s in a movie! It doesnu0026#39;t matter that sheu0026#39;s the second one to do so in the first half hour of the film. u003cbr/u003eu003cbr/u003eThe film also fails because of the vast amounts of stock footage used to show the wildlife of Africa. Often, this is acceptable. Itu0026#39;s obvious that that footage was taken at some other time and with some other type of film than the main footage, but I can suspend my imagination up to a point. However, one particular sequence involving gorillas is rather awful. The party has a face-off with a group of them, and there is a lot of cross-cutting to create suspense. It never works. Especially silly are the shots of Gable standing in front of back-projected stock footage of a bull gorilla charging. I suppose these kinds of shots were impossible to fake anywhere near as well as we can do now. But I still find fault in it. It snapped my suspension bridge.”