Blood Sacrifice (1991)

Blood Sacrifice: Directed by Sean Barton. With Christopher Lee, Jenilee Harrison, Henry Cele, Andre Jacobs. In 1950s Africa, a tribal magician calls up a demon to kill Europeans.

“Here we have another flick that is advertised and branded as a sequel for another film, though it has no connections to it whatsoever. u0026quot;Curse III: Blood Sacrificeu0026quot; was originally titled u0026quot;Pangau0026quot;, so Iu0026#39;ll be referring to it with the latter title, because it seems more appropriate. u003cbr/u003eu003cbr/u003eIn u0026quot;Pangau0026quot;, the story takes places in the 1950s, and our main character is Elizabeth Armstrong, a sweet American woman living in South Africa, with her husband, Geoff. Elizabeth, who is carrying a baby, seems to have a hard time adjusting to the way of life in South Africa, but sheu0026#39;s a genuinely nice gal and she wants to support her hubby, who owns a sugar plantation, so she makes an effort to be positive and manages to get along with the residents just fine. u003cbr/u003eu003cbr/u003eWhile out one afternoon, Elizabeth and her sister, Cindy (who is visiting for a while) witness a tribeu0026#39;s ritual, in which the natives attempt to sacrifice a goat. Horrified by this, Cindy interrupts the ritual and takes the goat, with the support of Elizabeth and her boyfriend, Robert. Things get really tense between the American bunch and the natives, and the language barrer clearly doesnu0026#39;t contribute. A witch doctor, who seems to be leading the ceremony, starts yelling at the confused American and puts a curse on all of them, which seems like silly hocus pocus, so they donu0026#39;t pay much attention to this. (Stupids!)nAfter this event, those who were involved in the incident begin to get slashed by an unknown figure that carries some sort of machete. In the end, Elizabeth will find herself facing that entity that was summoned by the witch doctor, in order to punish them for disrespecting the ritual.u003cbr/u003eu003cbr/u003eu0026quot;Pangau0026quot; provides a killer that stalks people with a machete, and said killer seems particularly interested in slashing the sex-crazed youngsters, as he/she/it goes after them first. Does it ring any bells? It should! This flick tries to capitalize on the success of slasher films that came out mostly during the eighties, but it also adds a few original details along the way, to stand out. For instance, our villain seems to be a supernatural entity that lives in the sea and is summoned by someone, rather than the average killer who (inexplicably) rises from the dead to slaughter obnoxious teenagers. Also, this story takes place in the 50s, where certain technological devices werenu0026#39;t available to make things easier for the poor bastards who are being chased by the blood-thirsty creature. On top of that, the events happen in a rural area of South Africa, with a really (really!) heavy storm throughout most of the film, which leaves our poor characters in an utter state of defenselessness. Finally, unlike most slasher flicks, in lieu of a main set of characters composed by randy kids, we get quite an eclectic bunch, which features: a sweet old lady, her granddaughter (who is around 10), an old man, a young American woman and her husband, two horny young adults and a local foreman, who supervises a sugar plantation. Heterogeneous characters is something that I very much appreciate in a genre, like horror, that mostly focuses on obnoxious teenagers or young adults. u003cbr/u003eu003cbr/u003eThe movie doesnu0026#39;t really offer an outstanding moment, but the final 20 minutes or so provide a fair amount of tension, with the main characters barricading themselves inside in a big house, in the middle of the country. We do get a final confrontation between the main character and the beast-like killer that stalks them, which is a little bit more on the campy side than anything else (the u0026quot;less is moreu0026quot; concept would have worked well here). That being said, this film mostly stays on the serious side, while not necessarily being an example of artistic or subtle filmmaking.nThough u0026quot;Pangau0026quot; isnu0026#39;t memorable by any means, it really is an entertaining and mildly creepy film for the most part and the fact that we have Christopher Lee playing a main character should give the film, at least, some recognition. Oh, well!”