The Return (2006)

The Return: Directed by Asif Kapadia. With Sarah Michelle Gellar, Peter O’Brien, Adam Scott, Kate Beahan. Joanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.

“There are attractions to this film. One, it proceeds at its own pace specific to the revelations the main character achieves. Some would say it moves too slowly but, I think, this is only in contrast to recent genre films that rush to exploit thrills, sometimes fun, sometimes silly. The pace is more like that of classic mystery movies with a little film noir mixed in.u003cbr/u003eu003cbr/u003eThe atmosphere is somewhat reminiscent of recent Japanese horror films and remakes though the narrative is much more structured. This is emphasized by the u0026quot;washed outu0026quot; look of the photography even in direct sunlight. Of course, parts of Texas where much of this was shot appear a little washed out in reality. While this is not especially flattering to the actors, it underscores the uncertainty the characters must endure. (Congratulations to Ms. Gellar for acceding to this when most actresses are looking for every cinematographic advantage they can get!) u003cbr/u003eu003cbr/u003eThe film is more about character and the discovery of destiny than about complex plot or even surprises. As in many Hitchcock movies, the audience is supposed to know more about some things than the characters. Most horror and mystery fans will have a pretty good inkling of the answer the heroine is seeking well before all the loose ends are tied up. (As the u0026quot;Robot Chickenu0026quot; version of M. Night Shyamalan might say, u0026quot;What a twist!u0026quot;) u003cbr/u003eu003cbr/u003eMs. Gellar must portray a repressed young woman suffering from more than one trauma from the past. She conveys effectively that her character is confused, haunted, resolute, scared, brave and smart enough to make her way in a good ole boy business world. She cannot accept help even from the few who are closest to her. Her premonitions (memories?) lead her to out of the way places and a man with a past as tormented as her own. There is solid support from the reliable Sam Shepard and from J.C. MacKenzie in a performance that is quite a departure from his usual roles.”