Michael Kohlhaas (2013)

Michael Kohlhaas: Directed by Arnaud des Pallières. With Mads Mikkelsen, Mélusine Mayance, Delphine Chuillot, David Kross. In the 16th century in the Cévennes, a horse dealer by the name of Michael Kohlhaas leads a happy family life. When a lord treats him unjustly, he raises an army and puts the country to fire and sword in order to have his rights restored.

“What would you do if the legal system didnu0026#39;t support you or your rights? What would you do if you tried to take someone to court for compensation for something that was taken from you, and then, because of this, your family is dealt a terrible blow? Knowing you have no way to legally seek justice, would you take matters into your own hands? And once you have taken the law into your own hands, do you simply become as bad as the original aggressor? This is not something most of us have to worry about, if we live in country where rule of law is upheld. But in 16th century Europe (and in some parts of the world even now) not everyone could rely on the law.u003cbr/u003eu003cbr/u003eThis movie asks us to explore these questions and more. It doesnu0026#39;t provide us with the passive experience of sitting there and having the story, the moralities, the emotions, fed to us, as so often happens in films. It presents the material to us, and ask us to decide on who is right or wrong, who is at fault, and maybe to ask us what we might do in the same situation.u003cbr/u003eu003cbr/u003eVisually, it is sumptuous, organic, exquisitely beautiful. Rugged mountain vistas, timber, earth, stone and leather. And letu0026#39;s not forget that it has Mads Mikkelsen as the lead character, speaking French and riding horses. This is a combination that is hard to beat, for sensory appeal. I donu0026#39;t speak French so I have no idea how his Danish accent is accounted for in the film, but his steely stares to the horizon and his drive for justice, and the consequences that follow, are powerful to watch.u003cbr/u003eu003cbr/u003eThis film is definitely on the art-house side of film-making, and probably wont appeal to those who want everything delivered to them, but asks us powerful questions about rights and wrongs, actions and their consequences, while delivering a beautiful visual experience.”