Rise of the Mummy (2021)

Rise of the Mummy: Directed by Antonia Johnstone. With Shawn C. Phillips, Megan Purvis, Barbara Dabson, Abi Casson Thompson. A group of archaeology students awaken an ancient mummy. After being trapped in a time loop, the only way they can escape, is to defeat the mummy. As the body count rises, it seems the Mummy has to collect the souls of those who woke him to be able to walk the earth – for good.

“Red Skeltonu0026#39;s TV show was a well-produced variety hour that had an impressively long run, largely due to the big-name guest stars who appeared opposite Red. Although I sometimes laugh at Skelton, Iu0026#39;m not hugely a fan of his work. Red Skelton was one of the most undisciplined performers in the history of showbiz (which is saying a lot!), and he was notorious for u0026#39;corpsingu0026#39; his guest-stars: trying to make them break character and laugh. Supposedly, Skelton had a wide range of comedic characterisations, but most of them were just Red Skelton playing himself with minor changes in costume and situation. Freddie the Freeloader was Skelton playing himself as a hobo, San Fernando Red was Skelton playing himself as a con-man, Cauliflower McPugg (a real Al Capp name!) was Skelton playing himself as a boxer, George Appleby was Skelton playing himself as a henpecked husband, Willie Lump Lump was guess-who as a drunk, Sheriff Deadeye was guess-who as a cowboy, Forsooth was Skelton again as a mediaeval peasant, and so forth. I find Skeltonu0026#39;s customary sign-off very annoying: u0026#39;Good night, and may God bless.u0026#39; God bless what or whom? Why couldnu0026#39;t Skelton say u0026#39;God bless YOUu0026#39;, or u0026#39;God bless us, every oneu0026#39;, or something that makes grammatical sense? His other famous catchphrase was u0026#39;I dood itu0026#39;, but in this case he doodnu0026#39;t.u003cbr/u003eu003cbr/u003eThe most original part of Red Skeltonu0026#39;s show was the closing segment of most episodes. Called u0026#39;The Silent Spotu0026#39;, this featured Skelton in a wordless skit, utterly silent except for sound effects and the audienceu0026#39;s laughter. TV TRIVIA: The guy who invented the laugh-track machine used audio recordings of Red Skeltonu0026#39;s u0026#39;Silent Spotu0026#39; segments as the source for his canned laughter: these contained no dialogue, so the inventor merely cut out the sound effects and had long audio samples of undiluted laughter. Skelton always performed his silent skits alone, sometimes abetted by stuntmen and mute bit players but without any co-star. The only time Skelton varied this formula was (fittingly enough) with guest star Harpo Marx in a World War One sketch, with Skelton as a doughboy and Harpo as a German officer sharing a dugout in No Manu0026#39;s Land.u003cbr/u003eu003cbr/u003eThe 24 September 1968 episode of Red Skeltonu0026#39;s show had the unfortunate title u0026#39;He Who Steals My Robot Steals Trashu0026#39;. This episode guest-starred Vincent Price and Boris Karloff in a prolonged spoof on horror movies. Skelton portrayed Clem Kadiddlehopper, who was (as usual) Red Skelton playing himself as a hillbilly. In the first half of the two-act skit, Vincent Price played a mad scientist in search of a brain for his robot. Guess whose brain he decides to use. Encountering farmboy Kaddidlehopper in a field (a very obvious indoor stage set), Price lures him to his lab. All the gags can be seen a mile off. When Clemu0026#39;s hillbilly father learns that Clem has been abducted by a mad scientist, he sadly mourns u0026quot;Iu0026#39;ve lost Clem, Iu0026#39;ve lost Clem…u0026quot; only to immediately become elated and rush offstage cackling u0026quot;Iu0026#39;ve lost Clem! Iu0026#39;ve lost Clem!u0026quot;u003cbr/u003eu003cbr/u003eThe second act takes place in Priceu0026#39;s lab. It turns out heu0026#39;s the junior partner in a father-and-son team of mad scientists. And now here comes his father, to huge applause from the studio audience: Boris Karloff! The skit itself is unfunny, although itu0026#39;s pleasant to see Karloff gamely guying his own image.u003cbr/u003eu003cbr/u003eAfter the commercial break, Karloff and Price take a bow as themselves and perform a jolly little song about their screen careers, in which Price sings the line u0026#39;I was the Flyu0026#39;. Itu0026#39;s a bit disorienting to hear him sing this; Vincent Price did indeed star in u0026#39;The Flyu0026#39; but he did NOT play the title role, and he often encountered film fans who thought he HAD played that role.u003cbr/u003eu003cbr/u003eIu0026#39;m a fan of Karloff, but at this point (only a few months before his death) that great actoru0026#39;s health was so bad that his appearance is very distressing. Throughout this episode, Karloff spends his entire screen time sitting down, clearly too weak to stand. In the lab sketch, he makes his entrance (and it IS quite an entrance!) aboard a motorised chair that looks like something Blofeld might favour. The chair is extremely bulky, suggesting that Karloffu0026#39;s oxygen tank is stowed aboard. By this time, the lung complaint that would eventually end Karloffu0026#39;s life was so severe that an oxygen cylinder was always close at hand.u003cbr/u003eu003cbr/u003eDuring the third-act musical number, Karloff and Price are both seated on a platform that mechanically trundles through the proscenium curtain. Again, itu0026#39;s an effective entrance, and Priceu0026#39;s presence aboard the platform makes it less obvious that Karloff is too weak to stand.u003cbr/u003eu003cbr/u003eIu0026#39;ve seen Vincent Price on a much earlier episode of Skeltonu0026#39;s show, from the 1950s. His hammy personality worked well with Skeltonu0026#39;s humour. Karloff too had made at least one 1950s appearance (famously referenced in a u0026#39;Honeymoonersu0026#39; episode) on Skeltonu0026#39;s show. If only Karloff and Price had appeared together opposite Skelton circa 1957, when Karloff was still comparatively healthy, that might have been a comedy skit to cherish. As it is, though, Karloffu0026#39;s (inappropriately) cadaverous appearance makes this guest shot a very depressing one indeed. And, given its spookfest atmosphere, I wonder why this pre-recorded episode was aired in September, rather than delaying it another month and showing it at Halloweu0026#39;en.”