Im Todestal der Wölfe (1984)

Im Todestal der Wölfe: Directed by Wes Craven. With Robert Houston, David Nichols, Virginia Vincent, James Whitworth. A group of bikers, heading to a race, become stranded in the desert and find themselves fighting off a family of inbred cannibals who live off the land.

“(* out of *****) I think Craven must have put all of his energy and creativity into u0026quot;A Nightmare on Elm Streetu0026quot; (released the same year), because this sequel to his own ‘77 classic is horrible. In fact, I would rate this one even below the directoru0026#39;s other ‘80s stinkers u0026quot;Shockeru0026quot; and u0026quot;The People Under the Stairs.u0026quot; The best scenes in this are the long flashbacks from the first movie (and there are several of them — the damn dog even has one!) Unfortunately, in between the flashbacks, we also get the `newu0026#39; story about a bunch of dirt bikers stranded in the desert when their bus runs out of gas. Once again, they are attacked and killed off by the two remaining members of the savage, cannibalistic clan from the first film (John Bloom as Reaper and Michael Berryman returning as the scary-looking but wimpy Pluto, who gets his ass kicked by dogs and chics throughout the movie). Robert Houston also returns as Bobby in a brief, opening cameo, and Janus Blythe returns as the newly reformed and now civilized Ruby (when she reveals to everyone that she was raised by a desert-dwelling family of killer cannibals, no one seems to care!) Absolutely nothing works this time around. The characterizations and motivations are dumb, there are gaping plot holes, there is no suspense, no blood, no guts — in short, none of the hyper-realistic savagery, fear, and helplessness that made the first one so good. The blind heroine of this movie (Tamara Stafford) is so perceptive that she can hear things when no one else can and can sense when a person is afraid, but she doesnu0026#39;t even know when someoneu0026#39;s smoking a cigarette right next to her! I heard that this movie underwent a lot of pre-release cutting before it came out, and thatu0026#39;s why it turned out so badly — personally, I think this is a load of bunk. Even movies that are cut up left and right before release should give some indication of whether they could be potentially good or not, and this one gives no such signs of any potential whatsoever.u003cbr/u003eu003cbr/u003eLowlight: The fiery demise of Reaper — the hero concocts a ridiculous trap for him involving a gasoline tank, the school bus, a ring of fire, and a cable connected to a motor that will pull him between Reaperu0026#39;s legs and through the flames to safety. Itu0026#39;s useless to try explaining it — you have to see it to believe it (but I wouldnu0026#39;t advise it.)”