Michael (1996)

Michael: Directed by Nora Ephron. With John Travolta, Andie MacDowell, William Hurt, Bob Hoskins. Two tabloid reporters checking out a report of the Archangel Michael living with an old woman find that it’s true. But that’s not the only surprise.

“I have seen some films literally dozens of times. They will remain nameless, but they are there. Some of those films are pure entertainment and have left an obvious mark on me. I have seen Last House on the Left four times. And there is no film that has left more of an impression on me than this film. It is a visceral experience and one that will never leave your subconscious, and that goes for anyone who has seen the film. There are images here that are about as primal as you can go without feeling like you are in a Neanderthal like state. Wes Craven has tapped into something that few if any have ever been able to duplicate. There have been imitations as recently as the summer of 2005 when Chaos tried to usurp LAST HOUSE as the most disturbing film ever made, but make no mistake about it. This is the one and only. This film still has an adverse affect on me. The only reason I rented this film back in 1992 was because I was convinced that ( along with Jaws and Halloween ) Nightmare on Elm Street was the one of the scariest movies I had ever seen. And when I found out that Wes Craven had an earlier film to his credit, I had to see it. What happened in the next 90 minutes can only be described as an assault on my senses. Everything that was good in life no longer existed and the fun and happy horror films like Friday the 13th were exposed as the charlatans that they were. Itu0026#39;s not to say that they werenu0026#39;t fun films but they were not true horror films, the way a Steven Seagal film about war is a quack compared to something ominous like Apocalypse Now. I felt a plethora of emotions ranging from feeling sick, to shame, fear and trauma. I was so unabashedly disturbed after the film that a three hour, head clearing drive in the country was needed to calm my nerves. That is no exaggeration.u003cbr/u003eu003cbr/u003eThe story centers around two carefree you women who are going to a concert in the city. They are looking to score some weed and they meet Junior, who promises them some and he takes them to meet the rest of the gang. What ensues over the next 45 minutes is nothing short of the dehumanization of the two girls. They are forced to beat each other, touch each other and then they are raped and murdered horrifically. There is not much more to say if you do not want to ruin it for those that havenu0026#39;t seen it yet.u003cbr/u003eu003cbr/u003eWas this a good film? Yes. Did I enjoy it? Absolutely not. It left me exhausted depressed and it drained me to the point that I thought I would break down and cry. For a horror movie to do that to me is quite astonishing. I have seen most of Fulciu0026#39;s gorefests but every time you see some guy with a drill through his head, you can dismiss is a schlock. You know itu0026#39;s fake. But not with this film. It imbues a realism to it that just makes you feel like you are watching someoneu0026#39;s snuff film. It is that macabre and it feels that real. There is nothing else like it. u003cbr/u003eu003cbr/u003eI remember reading a review of Aliens by Roger Ebert and he said that the film was a work of art and he gave it high marks but the film was so much of a play on his emotions that he did not enjoy it. He was terrified more than he had been before. That is how I feel about this film. It is masterfully made, but it is a tough film to watch. Even after writing this review I am going to have a hard time getting the images out of my head. So my advice to you is if you are going to watch this film, proceed with caution. The subject matter in this film makes 8MM look like Anne of Green Gables.u003cbr/u003eu003cbr/u003eThis is the first time the tagline has read so true. Just keep repeating to yourself that it is only a movie, it is only a movie……”