Turbulenzen – und andere Katastrophen (1999)

11K
Share
Copy the link

Turbulenzen – und andere Katastrophen: Directed by Mike Newell. With John Cusack, Billy Bob Thornton, Cate Blanchett, Angelina Jolie. A feud develops between two air traffic controllers: one cocky and determined while the other is restrained and laidback, which inevitably affects their lives.

“`Pushing Tinu0026#39; concerns two air traffic controllers. One is Nick Falzone, played by John Cusack, who as the hotshot of his workplace is happily married to one Connie (Cate Blanchett) with two kids. Into his life comes the notorious new air traffic controller Russell (Billy Bob Thornton) with his beautiful wife Mary (Angelina Jolie). The two men do not react well to one another and spates of jealousy and male rivalry, with consequences, ensue..u003cbr/u003eu003cbr/u003eTo itu0026#39;s credit `Pushing Tinu0026#39; at least has an original setting – I canu0026#39;t recall another movie about air traffic controllers. Of course its merely a premise for male ego bating, a long running plot concept of countless movies. Here the bating takes place in trying to outdo one another in all aspects – work, social esteem and even with one anotheru0026#39;s wives. This leads us to the comedic events of this comedy. The comedy here is very soft, as the movie has a more comedy/drama mould to it than being ostensibly an all out comedy. Cusacku0026#39;s performance here is quite manic, as he winds himself up trying to outmatch his peer. As usual itu0026#39;s also quite good – Cusack has a great sense of being an actual character rather than an actor portraying a character. He works very well with the material heu0026#39;s given portraying a character that – while not as well drawn as his roles in such movies as `High Fidelityu0026#39; and `Grosse Point Blanku0026#39; – is nonetheless flawed, but still worthy. Thorntonu0026#39;s character is the laconic counterpoint, laidback about the situation for most of the time but with a sense of energy and vitality brimming beneath. Thornton once again turns in a neat performance, with just enough character embellishments and detail to lift his character from blandness into quasi-life. Unfortunately Blanchett and Jolie – as the objects of affection – can do little with their limited material and serve merely as surfaces for the two leads to bounce off.u003cbr/u003eu003cbr/u003eThe problem with the movie lies in the pacing of the script. Considering the intensity of the job, thereu0026#39;s no pressure ever evident in the movie in either the script or direction (courtesy of Mike Newell). Even the manipulation of planes, using some graphics and actual plane shots, lacks any urgency. Thus the comedy tends to amble along to a rather drab finale. The drama elements are adequate and the performances flesh out the characters, but thereu0026#39;s not enough originality to make it avid viewing. Therefore youu0026#39;d expect the comedy elements to balance it out. Alas, while thereu0026#39;re some smiles to be had, thereu0026#39;s very few laughing aloud moments. Sure the characters neuroses and clashes can create some amusing sparks but theyu0026#39;re not frequent enough, nor sharp enough to sustain this movie as a comedy. Thus, overall, the movie is grand and passable but thereu0026#39;s nothing to really warrant much of a look in, except to see the works of two strong Hollywood actors. 5/10.”

Comments

Your email address will not be published. Required fields are marked *