Die Rache des Paten (1974)

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Die Rache des Paten: Directed by Andrea Bianchi. With Henry Silva, Barbara Bouchet, Fausto Tozzi, Vittorio Sanipoli. Thriller Starring Henry Silva and Barbara Bouchet. She Left Prostitution only to find Murder! Shes a former prostitute, now married to a gang boss dealing in black market currency and illicit drug traffic. He is a cold-blooded killer: a ‘mob hitman’ sent to Italy to pacify rival gangs impeding on Mafia operations, when the ex hooker falls for the underworld assassin all hell breaks loose as the rival gangs turn the tables u0026 make him their target.

“Leave it to Italian sleazemeister Andreas Bianchi (here co-directing with his brother)to take a brutally violent and borderline misogynist genre like the Italian u0026quot;polizieschiu0026quot; and actually up the ante considerably. This movie begins with drug dealers trying to smuggle drugs into Italy sewed up in the body of a dead child(!), and it only gets more gratuitously violent from there. A brutal gang war is going between a traditional Italian mafia family and an Americanized godfather who has been deported back to Italy. Injected into this conflict is another Italian-American gangster, the protagonist (Henry Silva), and he begins to play the two rivals off against each other in the style of u0026quot;A Fistful of Dollarsu0026quot; or u0026quot;Yojimbou0026quot;.u003cbr/u003eu003cbr/u003eSilvau0026#39;s character might seem like the good guy, or at least the kind of anti-hero Clint Eastwood played in u0026quot;Fistfulu0026quot; and other Westerns (and later in u0026quot;Dirty Harryu0026quot; which was a big influence on the Italian polizieschi). But the Silva character himself is quite psychotic when it comes to women, specifically the masochistic prostitute/mistress of the American gangster (played by Barbara Bouchet). The first time they meet he violently sodomizes her. And when she comes back for more he beats her with a belt. Now I have to admit the description I read somewhere of a naked Bouchet being whipped by a belt did not exactly dissuade me from seeing this, but itu0026#39;s not an accurate one. She is not naked (at least in that scene) and he literally beats her to a bloody pulp. Even her boyfriend, who otherwise is content to throw the promiscuous girl at his erstwhile partner, is horrified by the brutal beating and vows revenge.u003cbr/u003eu003cbr/u003eThis scene squanders any goodwill toward Silvau0026#39;s character (which may have been the intention, I donu0026#39;t know), but also toward the film itself–itu0026#39;s pretty hard to take even for someone like me accustomed to the casual misogyny of the genre. It certainly doesnu0026#39;t help that the actress is Barbara Bouchet, who along with Edwige Fenech and Rosalba Neri, was (and still is) one of the most popular European exploitation actresses of the era (although this probably would have been only marginally more palatable if it had been some anonymous Euro-bimbo). To its credit this movie at least canu0026#39;t be accused of glorifying any of its gangster characters like some other u0026quot;polizieschiu0026quot; tended to do. Still it might be a little bit too much for many viewers.”


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