Der Schrei der Masse (1932)

Der Schrei der Masse: Directed by Howard Hawks. With James Cagney, Joan Blondell, Ann Dvorak, Eric Linden. Race car driver becomes overprotective of his brother when he decides to become a racer as well.

“Racing has been portrayed so well many times in film and television and always makes for an interesting setting and subject. Howard Hawks was a great director and a versatile one, taking on a good deal of genres and excelling at most (especially Westerns and screwball comedy). Another big reason for wanting to see u0026#39;The Crowd Roarsu0026#39; was the cast, James Cagney, Joan Blondell, Ann Dvorak and Frank McHugh could always be counted upon to make anything better.u003cbr/u003eu003cbr/u003eThe cast are one of the main redeeming qualities of u0026#39;The Crowd Roarsu0026#39; and there is a good deal to enjoy in the dialogue and the choreography of the race scenes. Sadly, u0026#39;The Crowd Roarsu0026#39; did not strike me as a great film and Hawks certainly did far better films, if anything this is a lesser effort for him. If the film had a better story, didnu0026#39;t look as cheap and didnu0026#39;t have a character that made so little impact in such a jarring way, it would have fared better.u003cbr/u003eu003cbr/u003eDespite having a truly loathsome character, Cagney is a knockout and has cocky charisma and intensity galore. To me he didnu0026#39;t seem uninterested at all. Blondell is sassy and charming in usual Blondell style, she was no stranger to this type of role and always did it well, and Dvorak is affecting. McHugh provides colourful support as one of the more likeable characters. While having reservations with the production values overall, the racing is thrillingly choreographed and excites, quite bold for back then too. The tragedy did bring a lump to my throat.u003cbr/u003eu003cbr/u003eFurthermore u0026#39;The Crowd Roarsu0026#39; does go at an energetic pace and has snappy, hard-boiled dialogue on the whole. Hawksu0026#39; direction does have moments of brilliance.u003cbr/u003eu003cbr/u003eHe is sadly not always in full control of his material however, and there are a few too many melodramatic scenes that lack the urgency of the racing where he doesnu0026#39;t fare very well stopping the drama from getting over the top. The subplot with Eddie and Ann doesnu0026#39;t really add very much and feels like padding. Did find the chemistry between Blondell and Eddie Linden anaemic and Linden not only lacks any kind of charisma but also injects very little personality in a sketchy role.u003cbr/u003eu003cbr/u003eSadly have to agree with some too that the production values are not the best. The studio rear projections are very cheap and over-obvious and while the choreography of the racing excites the racetrack shots feel very clumsily incorporated and could have been a lot more subtle with the editing.u003cbr/u003eu003cbr/u003eIn summary, worth a look but not a must recommend. 6/10”