Girlfriend Experience – Aus dem Leben eines Luxus-Callgirls (2009)

Girlfriend Experience – Aus dem Leben eines Luxus-Callgirls: Directed by Steven Soderbergh. With Sasha Grey, Chris Santos, Philip Eytan, Colby Trane. A drama set in the days leading up to the 2008 Presidential election, and centered on a high-end Manhattan call girl meeting the challenges of her boyfriend, her clients, and her work.

“Although his aesthetic isnu0026#39;t quite as detached or suffused in jagged poetry, I wonder if Steven Soderbergh may have been, if subconsciously, channeling Jean-Luc Godard with his latest film The Girlfriend Experience, specifically a film like Godardu0026#39;s My Life to Live. There Godard dealt with a woman who has little money and so becomes a prostitute, seen in chapter segments and with a style that had a basis in a script but also in documentary intuition- meaning the actors could do what they wanted, even if the director had to stay true to some kind of form. With The Girlfriend Experience we get Soderbergh again working in his u0026quot;minoru0026quot; work form, under the radar of the box-office (Oceansu0026#39;) and controversy (Che). He casts a young porn actress (Sasha Grey) and non-professionals (the actor playing Chris, the personal trainer and boyfriend of Greyu0026#39;s character, is an actual personal trainer), and the filmu0026#39;s non-scripted-but-scripted style, and editing taking cues from the Nouvelle Vague, is at the least never less than interesting.u003cbr/u003eu003cbr/u003eIf the film doesnu0026#39;t tell a story exactly, which will surely frustrate some but not be a surprise to anyone who saw Schizopolis or Full Frontal (for better and worse), it does convey time and place very well, of a city where the upper class on edge from horrid economy and weu0026#39;re told of the u0026quot;companionshipu0026quot; of the call girl played by Grey like in journal entries or sound bytes. If there is any structure itu0026#39;s loosely based around a man sort of interviewing Grey at a restaurant, her demeanor calm but elusive, politely answering some questions and edging around others, and the action and dramatic tone wavers so much from documentary and fiction that itu0026#39;s impossible to separate it. But itu0026#39;s not really naturalism either, though it could be considered that. This is in another way why itu0026#39;s akin to a Godard film: itu0026#39;s highly stylized, maybe so much so that its intention is precisely to provoke in its choices in a distanced frame or a device obscuring faces or even faces out of focus in the foreground as they speak with the background at a bar in focus.u003cbr/u003eu003cbr/u003eThe Girlfriend Experience is also a surprising, if not show-stopping or breakthrough, showcase for Sasha Grey, who has a kind of dirty beauty which she can hide away with her natural sophistication. Though itu0026#39;s not part of the story, there was something that Soderbergh saw in Grey from her porn film experience (itu0026#39;s a similar thing as say casting a professor in Umberto D: heu0026#39;s not playing one, but you can sense the life experience on the face and in the body expressions, the spirit), and its hard to look away from her. Nor even for her personal trainer boyfriend. At worst, itu0026#39;s got some acting that is sub-par, like a rehearsal for a scene that still needs work before being shot but is filmed as a final workshop. But at best we see this torn and bewildering couple who are close but have that block of her u0026quot;jobu0026quot; sleeping with other men- and the characteru0026#39;s proclivity to look for a birthday as a sign of a connection- as something captivating. Even the city, as filmed by Soderbergh as a place with looming buildings and street musicians surrounding the well-to-do, is a character to speak of.u003cbr/u003eu003cbr/u003eBut, as with Soderberghu0026#39;s other u0026quot;experimentsu0026quot;, saying itu0026#39;s not for everyone is an understatement to end all others. Itu0026#39;s so polarizing you can feel the icicles forming from the breath in the theater. Maybe it was wise on his part to make this available on-demand from IFC, as it is an absolutely wonderful thing to experience as a rental though not really a u0026quot;full-priceu0026quot; affair as it turned out to be at the Clearview Chelsea in Manhattan. Some will flat out hate its consistent choice in camera-work or its strong performances, while others may like it immensely for its sense of truth and human nature. For me, itu0026#39;s provocative just enough to do for 78 minutes starring a woman who is given an opportunity to do something not sans clothes and legs raised. She takes a hold and makes it interesting on a level I didnu0026#39;t expect: the subdued. If Bresson were alive he might find a use for her.”