Kinder unserer Zeit (1953)

Kinder unserer Zeit: Directed by Michelangelo Antonioni. With Etchika Choureau, Jean-Pierre Mocky, Jacques Sempey, Henri Poirier. A trilogy of stories of well-off youths who commit murders. In the French episode, a group of high school students kill one of their colleagues for his money. In the Italian episode, a university student’s involved in smuggling cigarettes. In the English episode, a lazy poet finds the body of a woman on the downs, and tries to sell his story to the press.

“As introduced by Lorenzo Codelli, The Vanquished consists of 3 short stories taking place one each in Italy, France and England, which while not a successful commercial film of the time, it garnered strong reviews, cementing Michelangelo Antonioni as a director with a critical audience and not considered a commercial director. And I agreed that all the characters here have rather interesting backgrounds and stories, and the England segment has Blowup written all over it, serving as a precursor to one of Antonioniu0026#39;s more famous works.u003cbr/u003eu003cbr/u003eThe movie begins quite documentary like, with a prologue touching on violence and the wayward youths of the post-WWII generation. Like outcasts who challenge conventional societal norms, the 3 stories with youth characters in pro/antagonist roles puts a fictional spin to the numerous articles and newsreels that set the tone of the movie.u003cbr/u003eu003cbr/u003eThe first segment is set in France, and I felt was the strongest of the lot. With a myriad of characters, it tells of six friends embarking on a trip sans their parentsu0026#39; concerns, but as they set up their excursion, you canu0026#39;t help but feel that somethingu0026#39;s amiss, and character motivations are not quite what they seem. For example, why are two boys packing a pistol to bring along? And whatu0026#39;s with the manipulative Simone (Etchika Choureau) up to, dangling a carrot in front of different boys, being probably one of the masterminds, and chief executioner of some hideous plan? How about the braggart Pierre, who flaunts his wealth around by lighting cigarettes with money bills, and boasting of a model girlfriend, but in fact has to borrow 100 francs? Itu0026#39;s classic bluff against bluff with plenty of jealous and envious emotions thrown in for a good mix, together with survivor styled alliances being formed, that you just arenu0026#39;t too sure whou0026#39;s in cahoots with whom. Itu0026#39;s a perfect short which builds on your anticipation, with a tinge of mystery and foretelling of a gruesome, inevitable crime to be committed, and the ending being the cherry on top.u003cbr/u003eu003cbr/u003eThe Italian segment was unfortunately the blandest of the lot. It highlights how most families and parents especially being clueless to their offspringu0026#39;s disillusionment and life of demeanours. Here, the parents of Claudio (Franco Interlenghi) have absolutely no idea that their son is running a smuggling racket, and knows neither his friends, or his girlfriend, except for a photograph in his room. We then follow Claudio throughout the short, watching him seek out his girl Marina (Anna-Maria Ferrero), whou0026#39;s obviously from a well to do family, and uses the excuse of living the life of crime to build up capital so that he can elope with her to a place they can call their own. Not too interesting, though it did make me dig deep and wonder about the many crimes committed out of passion or using love as a crutch.u003cbr/u003eu003cbr/u003eIu0026#39;m not sure but I felt the England segment had a wry humour filled thread with a faceless receptionist at The Daily Witness. Just when I thought I had heard the last from this person, it gets popped up again and I canu0026#39;t help but to chuckle. So far the movies in the retrospective have been rather grim and serious, but hereu0026#39;s a sliver of wit that I didnu0026#39;t see coming, if expected at all, and so however short it was, I thought it opened one big refreshing window.u003cbr/u003eu003cbr/u003eI canu0026#39;t make out much of the tennis game here which lasted no longer than a few seconds, but the England segment draped itself with, as mentioned earlier, plenty of elements which would later be referenced, used and explored further in Blowup. While Blowup didnu0026#39;t feature the crime in progress, this short however provided some probable clues, and did the conventional through an enactment, a luxury which audiences in Blowup, or even Story of a Love Affair, never got to see, and can only imagine if and how it happened. Ken Whatton (Patrick Barr), a journalist of The Daily Witness doesnu0026#39;t provide any interesting insights in the movie but serves his function as a proxy for the more interesting Aubrey Hallan (Peter Reynolds) from Saffron who discovers a dead body, and calls him up to provide him the front page scoop material. The Aubrey character runs along the theme on exploring delusional youths, as heu0026#39;s a fame seeker who doesnu0026#39;t think twice in cutting corners to the path of glory and money, putting a lot of pride in himself in being able to analyze and make money from dog races.u003cbr/u003eu003cbr/u003eHowever, heu0026#39;s quite a tragic character in living his dream and not giving a hoot about being pragmatic, and holds onto his poetry to overcome his unrequited love for Sally. And in fact, most of the characters in all the shorts have dreams, and it is their inability to fulfill their dreams with concrete workable plans in a down to earth, hard/smart working manner, and in their wanting to make a name for themselves overnight, that they resort to unorthodox, risky behaviour with little responsibility or perhaps even the awareness of consequences in their actions.”