Convoy (1978)

Convoy: Directed by Sam Peckinpah. With Kris Kristofferson, Ali MacGraw, Ernest Borgnine, Burt Young. Truckers form a mile long “convoy” in support of a trucker’s vendetta with an abusive sheriff…Based on the country song of same title by C.W. McCall.

“The u0026quot;Smokey and the Banditu0026quot; target audience never knew what hit them when they went to see u0026quot;Convoyu0026quot;. Used to a diet of direct-to-drive-in films they had no conception of what could happen when Hollywood threw big bucks and a competent (if distracted) director at the genre. What they got was something that movie historians are still trying to classify. A movie based on a CB radio song that morphed into a poetic homage to machinery; where trucks are turned into mythological monsters and filmed cruising through the heat-radiating desert to a score of classical music.u003cbr/u003eu003cbr/u003eWhy Sam Peckinpah elected to take on this project has really never been explained, although that decision certainly supports those tales of substance abuse, and the final cut is bizarre enough to also fit that explanation. It is an amazing film as it wobbles between self-parody and self-importance to a degree never seen before and never seen again until u0026quot;Apocalypse Nowu0026quot;. Iu0026#39;m not sure how much attention and interest Peckinpah actually showed toward the making of u0026quot;Convoyu0026quot;. It has the disjointed feel of multiple directors or of a Director of Photography filling in many times when Sam was not motivated to make an appearance on the set.u003cbr/u003eu003cbr/u003eKris Kristofferson is fine as trucker u0026quot;Rubber Ducku0026quot; although Earnest Borgnine pretty much steals the whole thing.u003cbr/u003eu003cbr/u003eBut u0026quot;Convoyu0026#39;s real claim to fame is as the film where Ali MacGrawu0026#39;s career spectacularly crashed and burned. She did not just fade away but shattered into a million pieces. MacGraw got into acting in her late twenties but looked young enough to be believable as a college-age girl in her first two starring roles; the excellent u0026quot;Goodbye Columbusu0026quot; and the pathetic but hugely popular u0026quot;Love Storyu0026quot;. Her age worked to her advantage as her two characters (particularly u0026quot;Goodbyeu0026#39;su0026quot; Brenda) came off as poised, stylish, classy and smart. She picked up a huge following of male viewers who would have bought tickets to anything she was in and she was generally inoffensive to female viewers. She was nominated for the Best Actress Oscar, started fashion crazes, and made the cover of Time magazine. She also picked up the head of Paramount Studios (Robert Evans) as a husband dedicated to advancing her acting career. It was a done deal that she would get the lead in u0026quot;Chinatownu0026quot;, a role that would fit her rather limited range (poised, classy, stylish). Her only obstacle was managing the transition to middle age in a way that her smitten fans could accept.u003cbr/u003eu003cbr/u003eUnfortunately she dumped Evans for a short marriage (5 years) to Steve McQueen. Just how badly her image and career were managed after she left Evans is illustrated by her bad haircut in u0026quot;Convoyu0026quot;. Just glance at the promotional poster and you may be able to hear the sounds of a million bubbles bursting in the minds of her male fans. The idea of u0026quot;Brendau0026quot; playing a truck stop mama with short curly hair would have made it too painful to even contemplate seeing this movie. Her fan base literally melted away with the start of the filmu0026#39;s promotion campaign. They never returned, the illusion had died. Ironically had they actually seen her horrible performance in u0026quot;Convoyu0026quot; they might have felt better, as the performance is so absurd it achieves a sort of surreal quality. But a couple years later they discovered replacement Jennifer Beals and moved on.u003cbr/u003eu003cbr/u003eThen again, what do I know? Iu0026#39;m only a child.”