Pfahl in meinem Fleisch (1969)

Pfahl in meinem Fleisch: Directed by Toshio Matsumoto. With Pîtâ, Osamu Ogasawara, Yoshimi Jô, Koichi Nakamura. The trials and tribulations of Eddie and other transvestites in Japan.

“Eddie is a transvestite hostess at one of Tokyou0026#39;s clubs. He/she spends her time working, being in the films of a friend, taking drugs and trying to find love.u003cbr/u003eu003cbr/u003eSaid to be one of Stanley Kubricku0026#39;s favorite films and a big influence on Clockwork Orange this is probably one of the best films most people have never seen. Released in 1969 this film is as fresh and shattering as it must have been back when it was made. Set in a u0026quot;Gayu0026quot; world this is actually a movie about people and how they act and feel, the fact that they are gay is irrelevant. These are real people in a real world that seems to be happening now instead of when it was made (due no doubt to the stunning black and white photography). The film uses just about every 1960 u0026quot;art filmu0026quot; technique you can think of and does so better than any film in from Europe ever did (Buñuel, and Bergman should have been this successful). Interviews of the cast, sudden juxtaposition of scenes, shifts in tone and style, sudden bursts of violence, all blend together to tell a story of a search for identity and place that is in its way universal, even if its outcome is not.u003cbr/u003eu003cbr/u003eThis is a movie that is simple to explain, but difficult to sum up. The effect of it being somewhat greater than the simplicity of the storyline.u003cbr/u003eu003cbr/u003eSee this movie. This is one of those movies that movie lovers should search out.u003cbr/u003eu003cbr/u003e9 out of 10 (Because to be honest Iu0026#39;m not sure if Iu0026#39;m more in love with the technique or the film itself- though either way its a great film)”