Die Gefangene des Ku-Klux-Klan (1951)

Die Gefangene des Ku-Klux-Klan: Directed by Stuart Heisler. With Ginger Rogers, Ronald Reagan, Doris Day, Steve Cochran. Marsha Mitchell, a traveling dress model, stops in a southern town to see her sister who has married a Ku Klux Klansman. Marsha sees the KKK commit a murder and helps District Attorney Burt Rainey in bringing the criminals to justice.

“Warner Brothers got back to its muckraking roots in this somber drama about an u0026quot;outsideru0026quot; who witnesses a Klan murder in a small town and is persuaded to keep quiet about it because her sisteru0026#39;s scummy husband is involved in it. One of the aspects of this film that I appreciated was that the Klansmen arenu0026#39;t pawned off as buffoonish, mouth-breathing cretins as they often are in films like this (although Steve Cochran as Doris Dayu0026#39;s white-trash husband comes close), which tends to trivialize them and make them seem a bit less dangerous than they really are. The film shows the people who run the Klan to be fairly prominent local citizens–which is, unfortunately, often the case in real life with organizations like the Klan–which actually makes them far more dangerous than if they were just a semi-literate bunch of backwoods hillbillies. Doris Day gives a bravura performance in her first dramatic role; she tends to just skirt the edge of u0026quot;going over the topu0026quot; on a few occasions, but director Stuart Heisler skillfully brings her, and the rest of the picture, under control, and it does have the gritty, noir-ish look reminiscent of the great Warners films of the u0026#39;30s and u0026#39;40s. Ginger Rogers is very good as Dayu0026#39;s visiting sister who realizes the type of dilemma her sibling is caught in, and Ronald Reagan turns in one of his best performances as the local District Attorney who knows that Rogers saw the murder and needs her to testify in order to bring down the local Klan organization, which he is determined to do.u003cbr/u003eu003cbr/u003eAt a time when the government was far more interested in ferreting out u0026quot;Communistsu0026quot;–who it was convinced were the driving forces behind the burgeoning civil rights movement–than it was in eliminating far more dangerous menaces like the Klan, it took guts for Warners to come out with a film like this. The movie actually was condemned as u0026quot;Communist propagandau0026quot; by various right-wing groups, a charge Warners was used to by this time, and the studio courageously stood behind the film.u003cbr/u003eu003cbr/u003eDay, Rogers, Reagan, even Steve Cochran are at the top of their form here. A previous poster has called this a u0026quot;forgotten gemu0026quot;, and he hit the nail right on the head. This is a first-rate film that isnu0026#39;t as well known as it should be, and is most definitely worth a look.”