Delhi-6 (2009)

Delhi-6: Directed by Rakeysh Omprakash Mehra. With Waheeda Rehman, Abhishek Bachchan, Sonam Kapoor, Rishi Kapoor. In the ancient walled city of Delhi, an American-born Indian finds himself on an unexpected inner journey as he learns about himself and his roots.

“Thankfully I wasnu0026#39;t sucked into all the hype of this film and just watched it months after its release, after the dust had settled down with the immense flak it was receiving. But to put it succinctly, the only thing wrong about Delhi 6 is that Rakesh Mehra made it after RDB. Period. Nothing more, nothing less.u003cbr/u003eu003cbr/u003eHad Rakesh opted to depart from the norm and do a completely different genre of a film- yes, then maybe, he would have pulled it off well, but a film like Delhi 6, which had the shades of RDB in it, certainly is not the wisest of choices for a follow up. Delhi 6 is like a toned-down RDB, less impacting, much more mellow, and just like anything- its expectations that would hinder one from enjoying it. From the way it had been criticized, I was expecting a heavily metaphorical film with abstract narration all over- I wasnu0026#39;t expecting much, and thats exactly why I give it a 9, because it exceeded my low expectations.u003cbr/u003eu003cbr/u003eI couldnu0026#39;t help but to think that the film is receiving this flak because of the strong anti-Abhishek sentiment, with many feeling that Abhi hadnu0026#39;t been aggressive enough in the film. But, thats the whole point of the film. That precisely is the USP of the film. Roshan is not a participant, the entire film is a journey through Roshanu0026#39;s eyes as to how he transformed from a mere observer of the society and later on became an active participant. He may not be your regular society-changing hero, but that is exactly Rakeshu0026#39;s intentions in this film. To just show to the audiences what he himself had seen through his eyes.u003cbr/u003eu003cbr/u003eThe filmu0026#39;s theme is also very self-reflective. The only major metaphor of the film is about self-reflection. It is a direct satire commentary- sending a clear message that we fail to look in the mirrors to see the evil and good inside us, and instead we believe that God will do the good, and that your neighbor or the person across the street is the evil element. It may had made some feel uncomfortable watching this film as well, as it prompts you to take a look in the mirror. One need not take a long, hard look to understand the so-called u0026#39;too metaphoricalu0026#39; way in which this film has been done. Yes, there is a metaphor, but its a well done metaphor, not one that is difficult to comprehend or one which is too abstract.u003cbr/u003eu003cbr/u003eAdmittedly, the film does have its flaws, editing could have been slicker to say the least, there are parts which simply drag the length beyond much necessity- but here I have to credit Binod Pradhan for capturing the essence of Delhi. The last time I was transported to a location in which a film is based on was in the 2006 Tamil film Paruthi Veeran, which took me to the dry, dusty, vast open village in Madurai, and Delhi 6 follows suit. I was at Chandi Chowk, or to put it simply, I felt like I was transported to Delhi 6 myself with Binodu0026#39;s camera-work capturing everything about the city.u003cbr/u003eu003cbr/u003eMusic is certainly great as usual by AR Rahman, but again, Delhi 6 required more silence than noise, thus the entire film was made in a similar way, passive characters- passive, slow music, thereu0026#39;s something about the city that is always larger than the people, thats what Rakesh had showed in this film. u0026#39;Dil Gira Gaaftanu0026#39; however, came somewhat needlessly, while u0026#39;Kaala Bandaru0026#39; and u0026#39;Gehnda Poolu0026#39; were shot without much fuss and just relied on Abhiu0026#39;s body language to be pictured, which he certainly did well. Being a Hindu, u0026#39;Arziyanu0026#39; was such a serene listening experience that it became one of my favorite all-time songs, and I was glad the song came repeatedly in the whole film and was an essential backbone to the picture.u003cbr/u003eu003cbr/u003eSome characters could have been developed in more depth, but the assortment of characters, especially those of Boman Irani, Atul Kulkarni, and Om Puri were all interesting to watch and definitely went well with me. Unlike many other viewers, I wasnu0026#39;t expecting typical Bolly romance build up between Abhi and Sonam thus I wasnu0026#39;t disappointed there as well. Sonam is just another assortment along with many other characters, and Roshan happens to fall in love with her- period.And i think she did well enough for the screen time she was given. And the film essentially lacked in showing the u0026#39;good peopleu0026#39; inside the characters essentially. When Abhi says u0026#39;Indian works, the people make it worku0026#39;- the second part of that phrase is eluded and underdeveloped throughout this film, and this is why Iu0026#39;m taking a star off my rating.u003cbr/u003eu003cbr/u003e8.68/10 I would readily buy a Delhi 6 DVD when it comes out and keep it in my collection. It might be one of the very few films that is heavily criticized by the so-called pros but loved by me. But, heck, I enjoyed it, and I donu0026#39;t mind watching it again and again and again.u003cbr/u003eu003cbr/u003eYeh Delhi He Mere Yaar, Bas Ishq Mohabbat Pyaar.”