Mann, bist du Klasse! (1973)

Mann, bist du Klasse!: Directed by Melvin Frank. With George Segal, Glenda Jackson, Paul Sorvino, K Callan. Romantic comedy about a pair of clandestine lovers in a London-Spain tryst.

“At times screamingly funny, at least during the first hour, u0026quot;A Touch of Classu0026quot; boasts two fine comedic actors in top form and a script that manages to hit more highs than lows. After a catchy title tune, George Segal and Glenda Jackson meet a few times by chance before on-the-prowl Segal, who boasts of never cheating on his wife in the same city, moves in for the pounce. However, the divorced Jackson, who needs some good uninvolved sex, agrees to a tryst if they can manage something better than a u0026quot;quickieu0026quot; in a one-star hotel with dirty sheets. From this point the screwball comedy antics pile on. A returning wife and in-laws complicate the arrangements for a week in Spain, and an unwelcome friend shows up for the same flight to Malaga. The laugh meter rises with a faulty clutch, a spastic back, and a sexual performance rating that is on par with a Christmas card from the butcher.u003cbr/u003eu003cbr/u003eThe comedy is in high form as the couple spar and parry towards consummating their relationship. Unfortunately, love enters the equation, and the unwelcome friend slows the merriment further with a serious turn about guilt. Although the pace picks up again when the couple returns to London, the damage has been done, and u0026quot;A Touch of Classu0026quot; fails to return to the hilarity of the first hour. Segal and Jackson are certainly not to blame for the sluggish mid section, and both performers deliver fine comedic performances that never go over the top for a laugh and retain a depth of character when the mood turns serious. The film belongs to the two stars, and they play well together. However, the supporting players in general fail to register with the exception of Eve Karpf as the slyly knowing Miss Ramos at Iberia Airlines.u003cbr/u003eu003cbr/u003eSymptomatic of the movieu0026#39;s slowdown is a scene where Jackson and Segal watch u0026quot;Brief Encounteru0026quot; on the television in their love nest. The Celia Johnson and Trevor Howard classic is a heavy u0026quot;weepieu0026quot; drama, and both characters wring the handkerchiefs while they watch the film. Although the temptation to insert shots from another film about marital infidelity was obviously too strong to resist, the scene further dampens the film and pushes the characters into a soul-searching phase that leads to the inevitable fadeout. Perhaps if the lovers had watched u0026quot;A Night at the Operau0026quot; or u0026quot;Bringing Up Baby,u0026quot; viewers would have left the theater laughing instead of sullen like the weather in the final scene.”