Rebecca (1940)

Rebecca: Directed by Alfred Hitchcock. With Laurence Olivier, Joan Fontaine, George Sanders, Judith Anderson. A self-conscious woman juggles adjusting to her new role as an aristocrat’s wife and avoiding being intimidated by his first wife’s spectral presence.

“This was Alfred Hitchcocku0026#39;s first American-made film. Quite frankly, Iu0026#39;m amazed at how well Hitchcock u0026quot;gotu0026quot; what American audiences wanted in their suspense films, hitting them out of the park from the moment he began working in the US. u003cbr/u003eu003cbr/u003eApart from being a tad bit long, this is a well made film. I love the inside of Mandalay and Sir Laurence Olivier played a wonderful mysterious and sullen Maximillian De Winter opposite his new wife, a beautiful and naive young Joan Fontaine who is never even given a name here, probably deliberately and in keeping with how mousy and u0026quot;second handu0026quot; she feels about herself in relation to the first and late Mrs. De Winter, who is actually Rebecca from the title.u003cbr/u003eu003cbr/u003eOf course there is also George Sanders, playing the type of character he is best known for–sarcastic, snobby, self-assured, pompous, witty and verbose. He hits the nail on the head as Rebeccau0026#39;s u0026quot;cousinu0026quot; – so he calls himself. Of course the most eerie and unsettling character was Mrs. Danvers, Rebeccau0026#39;s housekeeper or u0026quot;maid in waiting.u0026quot; Danvers takes great pains in sabotaging the second Mrs. De Winteru0026#39;s marital relationship with Max de Winter,–even going as far as calmly urging her to to plunge to her death into the water from Rebeccau0026#39;s bedroom window at Mandalay. There are a couple of twists in this movie, but I wonu0026#39;t give them away. Itu0026#39;s best if you watch them unfold yourself in true Hitchcockian style.u003cbr/u003eu003cbr/u003eI will say that Rebecca, the first wife of Max de Winter, is NEVER seen, but we learn about her by what is said about her by the various characters, even going as far as seeing the untouched shrine of a bedroom maintained by Mrs. Danvers. But soon you learn that Rebecca was never the perfect wife Danvers and others make her out to be. The ending is a surprise in more way than one, and yet Mrs. Danvers gets the last word in her own way. A great movie by Alfred Hitchcock and David O. Selznick.”