Lawman (1971)

Lawman: Directed by Michael Winner. With Burt Lancaster, Robert Ryan, Lee J. Cobb, Robert Duvall. A lawman from Bannock arrives in Sabbath to arrest all the cattlemen whose wild celebration the year before resulted in the accidental death of an old man.

“Director Michael Winner is a controversial figure, at least in his native Britain, partly because of his political opinions, but chiefly on account of the `Death Wishu0026#39; movies, which were widely seen as advocating wild-west style vigilante justice in a modern urban setting. I was therefore interested to learn that, before making these films, Winner was also responsible for `Lawmanu0026#39;, a traditional Western that takes a more subtle, nuanced view of law and order.u003cbr/u003eu003cbr/u003eBurt Lancaster plays Jered Maddox, the Sheriff of the small Western town of Bannock. Maddox has travelled to another small town, Sabbath, to arrest the cowboys who were responsible for the death of a man in Bannock. The local people of Sabbath, however, are not willing to help him, and the local Sheriff, Cotton Ryan, is a coward whose motto is `anything for a quiet lifeu0026#39;. Despite this lack of cooperation, Maddox remains determined to do his duty, come what may.u003cbr/u003eu003cbr/u003eThe above summary might suggest that this is a story of right versus wrong along the lines of `High Noonu0026#39;, with Maddox standing as the lone representative of truth and justice against the forces of evil and cowardice. Things, however, are not so simple. It appears that the death was not deliberate murder, but an accidental shooting resulting from drunken gunplay. The cowboysu0026#39; employer, a wealthy rancher named Vincent Bronson, is a popular figure in the town. Maddox himself admits that, even if he succeeds in bringing the men back to Bannock, they are unlikely to receive condign punishment, as the local Judge is notoriously corrupt and could easily be bought by a man of Bronsonu0026#39;s wealth.u003cbr/u003eu003cbr/u003eAt first Maddox does seem to be a heroic figure, and he certainly shows great physical courage in facing his adversaries. Fearlessness alone, however, is not enough to make a man a true hero, and as the film progresses we begin to question whether he really is doing the right thing. Although the cowboys are likely to be acquitted if tried, and to receive a lenient sentence if convicted, their false pride and obsession with honour means that they cannot bring themselves to surrender without a fight. One by one, unafraid of his reputation as a lethal gunfighter, they challenge Maddox and are shot down. As the death toll mounts, we begin to see that he too is guilty of false pride and an obsession with upholding an abstract idea of justice, no matter what the human cost. `Fiat justitia, ruat caelumu0026#39;, said the Romans- let justice be done, though the heavens fall. When Maddox takes this idea to its absolute limits, the result is tragedy.u003cbr/u003eu003cbr/u003enThere are a number of good performances. Lee J Cobb gives a poignant performance as Bronson; cattle bosses are usually shown as villainous figures in Westerns (Bruce Cabotu0026#39;s character in `Dodge Cityu0026#39; being a classic example), but Bronson is a decent man, regarded as a generous benefactor by the people of Sabbath. His tragedy stems from the conflict between his sense of personal honour and a growing realisation that violence is not the answer to lifeu0026#39;s problems. Robert Ryan is also good as Sheriff Ryan, a once-brave lawman whose character has been corrupted by years of compromise, as are Sheree North as Maddoxu0026#39;s love interest and Richard Jordan as a young gunfighter out to make a name for himself. The real star, however, is Burt Lancaster as the steely, inflexible Maddox. This is a role which combines the two distinct sides of Lancasteru0026#39;s talent as an actor. On the one hand, he could play a swashbuckling action hero in Westerns and other films such as `The Crimson Pirateu0026#39;. On the other, he was also the thoughtful, star of intelligent films like `Birdman of Alcatrazu0026#39;, `The Trainu0026#39; or `The Swimmeru0026#39;. Maddox is a fearless gunfighter, but he is also a man whose actions give rise to philosophical questions about law enforcement, the nature of justice, and the nature of honour. One could therefore almost say that it is a role that Lancaster was born to play, and he does so brilliantly. The result is a complex film that asks difficult questions without providing easy answers. It is unfortunate that Winner did not make more films like this; none of his other films that I have seen come close to it in quality. 8/10”